Animal Man: Jeff Lemire, Steve Pugh, Lovern Kindzierski, Jared K. Fletcher, Jae Lee, June Chung, Kate Stewart, Joey Cavalieri, Matt Idelson

So Rotworld is over…Buddy escaped the nightmare. However, there’s still the matter of William Arcane and the Hunters, who have the Baker family. The Parliament of Decay says that Arcane betrayed them after they made him their Avatar of the Rot, and they help Buddy and Swampy return to the previous world.

Buddy arrives in time to find Maxine ready to give herself over to the Hunters in exchange for her family’s lives. They fight, and Buddy’s stronger than ever. However, it’s not enough. William Arcane gets the jump on them and murders one of the Bakers. I won’t spoil who or how, but I will talk about it.

Lately I’ve been real upset about the (very public) death of Damian, and how DC Comics seems to have this “ehh, why not?” policy when it comes to killing off their characters. Since the New 52 came out, there have been more deaths of characters we recognize from the preboot universe than there were in five years before the New 52. I’m really mad at them for it.

Having said that, I actually thought this character’s death was very well-done. And by that, I mean Lemire wrote it realistically. It wasn’t drawn out or exaggerated for drama, or for the character to have a final speech or whatever. It happened fast. It happened without hesitation. Then it was over. I admire Jeff Lemire for that, for not dragging it out.

I also cannot be very mad at Lemire for killing this character because, well, he’s been hinting at it since ISSUE #1. So, in actuality, I was expecting this very thing to happen with every single issue I read…waiting for it to happen with every page turn. I’m upset that it happened because I didn’t feel like it NEEDED to happen, that it was done merely for the shock value, but I have to deal with it.

Animal Man #18, the verdict: I’m quite glad that we’re done with this story arc. Not to say I didn’t enjoy, but that was a long one. Though, I am impressed, a full 18 issues it took to finally finish what started out as a very intriguing story. It had its ups and downs, like any story, but I did like it. I liked how hopeless it all seemed. I liked how horrific it was, and the boundaries it pushed in terms of art and content. I’m also happy that DC didn’t change writers a dozen times throughout - a rare thing, indeed. In all, Rotworld, and the stuff leading up to it, makes for an excellent body of work that I’m very happy to have read.

(Photo Source: GraphicPolicy.com)

January’s down. Now…on to FEBRUARY! There’s a lot to go, so let’s see how my stamina handles all these issues! You’ll see a couple of old, familiar faces as well! Just scroll down!

Justice League #17

This was an IMPRESSIVE issue. I loved the conclusion of Throne of Atlantis. It had all the epicness and gravitas that Justice League has become known to deliver with their big events like this. I love how this forced nearly all of the characters involved to make very tough decisions, and I finally understand why Vulko did what he did. Though I still don’t agree with it (with him, the character). Some REALLY great art in this issue, especially the splash of Arthur proclaiming, “I AM YOUR KING!” I wanna get a print of that. No Shazam! follow-up this issue…makes it feel kind of lesser. Oh well, still a great issue.

Animal Man #17

Buddy and the Red forces take on Flash and the Rot-League. I pretty much liked every single thing that happened in this issue. It kept me on the edge of my seat. I literally had no idea who would make it and who would bite the dust. Medphyll was a surprise casualty, but what became of this is probably the coolest thing ever. The final reveal of Abigail Arcane and Maxine Baker was truly horrifying, and I commend Snyder and Lemire for fearlessly going there. Really great art in this issue, too.

Batgirl #17

Jumping back in for this issue, the new team seems to have an okay handle on things. The narrative is somewhat distracting, provided by James Gordon Jr., and a little strange how it keeps saying, “There it is again.” There’s what again? So this story is, apparently, leading up to a face-off between Jr. and Babs - oh, and Jr. knows that his sister is Batgirl. We also get to New 52 reintroduction of Firebug! Not as high-profile a fire-based Batman villain as Firefly, but I’ve seen him before a couple times. The art in this issue ranges from really good to okay. A couple of the splash pages are really excellent, but the style doesn’t seem to agree with me in absolutely every panel.

Detective Comics #17

I decided to give this a try, just to see where the title’s at - if it’s improved since Tony Daniel’s run. Truth is, I wasn’t much more impressed. I DO applaud, however, that this issue had a lot of DETECTIVING, whereas it had zero before. I seem to have a problem with that when the title of the book is Detective Comics. Honestly, though, I can’t hold it against Layman how the story seems really rushed, and how Batman seems to leap to conclusions I never could have guessed - because I haven’t been reading this story arc. It’s very likely that this made total sense to someone who has. But, just jumping in right here, I did not enjoy.

Earth 2 #9

Wow, I have to say this was a really great issue. I didn’t find as many dialog issues that have plagued this poor title thus far, and the action was really fun! It was great to see more of the classic JSA heroes and villains re-introduced…now we have Nabu - Dr. Fate! I’m more than excited to see his return. It’s also good to have Jay back in the picture (what can I say, I’m a fan of Flashes), and I’m actually really liking this “side-quest” we’re seeing in the other realm.

The Phantom Stranger #5

Holy crap it’s good to see The Spectre back in action. Johns, I thought, did an excellent job writing for the character for the time he and Hal were together, and then through Blackest Night, but let me tell you…nobody writes for huge, omniscient, cosmic entities quite like DeMatteis (just check out Before Watchmen for proof!). I LOVED this issue. The Spectre seemed actually scary, which he’s supposed to! The dialog, though lengthy in a couple places, was very well put together. Oh man, and Question finally showing up?! AND THE ART!!! Good lord I’m loving Anderson’s pencils on this book. He and the rest of the team give this title such a distinct, deserving look and feel. This is one of the best books being put out right now.

Swamp Thing #17

Aaaahh! What happened to Yanick’s beautiful art!? Who’s this Andrew Belanger, and why is he screwing up Swamp Thing?!! Okay, the art isn’t necessarily “terrible.” The problem with it is that it’s NOT SWAMP THING. It has no place in this book, and it makes everything look outright SILLY. And what the hell? Who redesigned Anton Arcane, and why? And when? What did I miss between issues? Jesus. So Baker and Swampy are able to blow the bio-regenerative bomb and save Rotworld, and then we finally get to see the way out - the way back home. The ish was good, I guess, but the art was SO distracting that I just couldn’t enjoy it.

Batman and Robin #17

I can’t take it with DC Comics anymore, and their atrocious editorial decisions. This issue was absolutely brilliant. We get a rare peek into the actual nightmares of Batman and Robin. The symbolism is wonderful, and there’s even a bit of humor to be had. With every single issue, I love Damian even more. Tomasi has really transformed this wayward character that nobody could write consistently or properly into a real human being with complicated emotions and a perfect balance between being Robin, the Boy Wonder, and a little 10 year-old kid who loves his father. Thanks to what Morrison did in Batman, Inc., and to DC allowing it to happen, the final page of this issue had me shedding actual tears.

The Ravagers #9

Again, a good issue. I’m glad that the end of this book can be run with some dignity and a very large quantity of talent. Easily the best part of this issue is the sheriff father, who so readily sacrifices himself for his children’s safety, courageously saying, “This is what fathers do.” I about bawled my eyes out. He turned out to be a GREAT character, and I gift Michael Alan Nelson with a standing ovation for that sheriff. Warblade is still just as great as he was last issue, and I’m really looking forward to the next one. Also, what the hell is going on with Terra? And, wait, Lightning is dead? Seriously, this New 52 universe started out immeasurably smaller than the preboot one, and it feels like it’s shrinking every month as more and more characters are killed off.

Batman #17

And this is it, the conclusion of Death of the Family!! I admit that I loved it. I’m not ashamed, and neither should you be. I love where it went, the feints it threw at me, and how all seemed lost more than once! At the end, with Alfred in bed, I always enjoy those candid moments between Alfred and Bruce. This one might be one of my favorites. The art, though, felt rushed in certain places. I wasn’t truly thrilled, like I was on other of Capullo’s issues. In any case, I’m glad that we’re done with the Joker storyline, and I can’t wait to see what’s next! Also, IS THAT BUCKY O’HARE ON THE CHANNEL 52 STORIES?!!! (wouldn’t that be great?)

Batman Incorporated #8

No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. No. Of all the times I praised Morrison for his writing, for example on Action Comics, I have a very strong dislike for the man because of this issue. You’ll really have to excuse me, readers, because I have almost uncontrollable feelings about this whole death of Damian thing, and it’s taking a lot of strength to not go riot in the streets. Bottom line is: I feel like this was an extremely selfish move on Morrison’s part. Sure, he created the character, and even said from the beginning that he had planned to kill him off in the end…but when a character grows and builds a huge fan following, and is a part of a wildly successful comic book (I’m mainly referring to Batman and Robin), you don’t get to do something like this just because 1) it’s “your” title, 2) he’s “your” character, and 3) because you’re leaving DC Comics. The only thing I hope for, wish for, pray for, is that this character is not lost forever. We’ve been robbed.

The Flash #17

While I was slightly disappointed with the finale of the Third Army in Green Lantern Corps Annual #1, THIS was the finale the Gorilla Warfare story needed. It was epic, and the Flash was a boss. Enough breadcrumbs were left, as well, for other plots and growths to emerge in the future…especially with Turbine, and Barry’s relationship with Iris. The most exciting part, though, is the sudden appearance of THE REVERSE-FLASH!! I wonder if he’ll be the same or similar from the preboot universe - from the future - or if it has anything to do with the extra stores of Speed Force Dr. Elias has…. We’ll just have to wait and see!!

The Fury of Firestorm: The Nuclear Men #17

Yeah, remember this book?! I left it behind because the content quality wasn’t consistent, and I had to cut costs. But it’s no secret that I’m a fan of the Teen Titans, so I decided to check this ish out. The issue did help explain a lot of what’s been going on - so I didn’t feel entirely lost just jumping in like I did - and I felt like this would be a good starting point for any other interested readers. Dan Jurgens pens and pencils. This is the guy who wrote the JLI title, which I loathed, and drew Green Arrow for a while. His art here seems a bit inconsistent as well, like with character faces. There’s even one panel of Tim with a Nightwing mullet. Yeech. I liked the growth, however, that we see in Ronnie this issue, which left us with a very intriguing cliffhanger as well.

Teen Titans #17

This issue was more disjointed and ADD than Bart! First we meet this Kwon kid who creates balls of light plasma. He’s tricked and experimented upon for 6 months or so. Then we see this dude who looks like it COULD be Kwon, but older, but then he almost refers to Kwon as if he’d be another person. Also he has a goatee. So who is he? What happened to Kwon? I get that he’s the “light” part of this war of light and dark thing. Some of the dialog was really lengthy and ADD as well, but you come to expect that with Lobdell. Then there’s this silver-haired douche who has extreme mind control powers, or suggestion powers that lasts for literally a page. What’s that all about? Raven’s finally back - we saw her teased in Phantom Stranger #1 - and I’m really excited about this happening. Then, finally, Tim’s very stranger behavior is explained when we see him somewhat possessed by something while he’s watching his war room monitors, looking devilish. Could this be tech mind-control like from Lonny, the Anarchist? Guess we’ll have to see. I like Eddy Barrows’ art (he was especially good on Nightwing), but sometimes things look really weird and cringe-worthy.

More to come as I get it in!!

Are we ready for the January issues? I know I am!! Some MAJOR stuff happened this month. Let’s take a look at how DC’s New 52 rung in the new year!

Justice League #16

This is EPIC storytelling at its finest. I’m usually totally against all the in-fighting we’ve seen with the JL, but I get it here. And things got crazy as Ocean Master declared war on the surface. THE ART, holy Jesus, the art is so, so good. This team is stellar, and by FAR one of the best DC has right now. I love how awesome Cyborg is getting, and I hope he gets a bigger role in the issues to come. The Shazam story was EXCELLENT, and I can’t wait for more.

Action Comics #16

Alright, so I think I got a little lost. The stuff happening in the future from last issue suddenly collides with the present day, this issue. The world also starts to change into how it was on Doomsday, the day Superman died, as a kind of spirit-rattling omen. The K-team and Vyndktvx attack while Jimmy and Lois (REMEMBER THEM?!) try to wake up Mr. Triple-X (Mxyzptlk). There’s also a bit with the Legion of Super-Heroes - which always confuses a story for me. Great artwork, though.

Animal Man #16

The Rotworld story is nearing the conclusion! The GL Buddy rescues is an alien plant species, and they near the heart of Rot together. But that’s when they finally see who the Gatekeepers are: the Justice League!! Anyone know who the Keymaster is? Constantine is given quite the unceremonious death, which I thought was no fun. Also, Maxine? YOU’RE GROUNDED!!!

Dial H #8

Oh that’s funny, Canada jokes. This was a good issue, and it introduces even more mysteries as Centipede closes in on Manteau and Nelse. Another Dialer shows up, and is whisked away by a military helicopter, Nelse starts to lose himself in his Hero, and Centipede gets a hold of Nelse’s Dial!! I love how unique this title is. There’s no other book like this out there.

Earth 2 #8

And now for something completely different. Don’t look for Jay, Alan, or Kendra here, folks! This issue focuses on the villain Steppenwolf, leader of Apokolips’ army during the invasion 5 years ago. He’s still around, trapped apparently, and he has a little pet: Wonder Woman’s daughter! So…is this “Fury” actually the New 52 version of Donna Troy? Other characters have had more major background changes…. The title still suffers from super old-school dialog, though.

The Phantom Stranger #4

I’m impressed by how I’m constantly surprised with every issue that comes out. Dan DiDio takes a sort of backseat on this issue as J.M. DeMatteis pens the script - and we know how much of a fan of his I am. The Stranger is brought to the House of Mystery, where the JLD try to wrangle him onto their team. Turns out Constantine has one of his silver coins, too. Upon returning home, Stranger finds his babysitter dead and his family missing. Pandora seems to think the Spectre is behind it - the embodiment of justice and revenge - who has every reason to hate the Stranger. I’m so excited for the next issue. Also, DAT COVER!

Stormwatch #16

Oh yes, this whole deal with Harry Tanner coming back is probably the best part of this series so far. It’s been fun watching him manipulate the team, and I love how Apollo and Midnighter continue to stick things out together. The only thing I have to say here is…what does Hawksmoor have to say about all this? He just stood by and watched as Engineer took Tanner’s side. Also, what about Emma? Once Engineer turns, those two are literally absent from the rest of the issue. What I like about this change in Engineer, though, is that it really fits with her personality toward the beginning of the series. 

Swamp Thing #16

I wouldn’t be surprised if this title’s Rotworld run got Snyder and Paquette some kind of award nomination. He’s been doing a good job of playing with my emotions. I don’t think I’ve ever wanted to throw the book across the room THIS many times! Just look at that last page!! Nicely done, team. I’m excited for the finales.

Batman and Robin #16

WOW. I mean how incredible is this issue? Outstanding. The fight between supposed father and son is BRUTAL, and heartbreaking at the same time. Damian’s final decision is what makes me love this character so much (and hate DC for what they agreed to). I’m so excited to see how this all ends. Fantastic artwork by Gleason, as always.

Batman and Robin Annual #1

BEST. ANNUAL. EVER. This was the best Batman and Robin story Peter’s told yet. If you haven’t grown to love Damian after everything, then THIS is the issue that seals the deal. This kid is amazing. Peter’s writing is flawless, and guest penciller Ardian Syaf - whom I enjoyed on Batgirl - does an excellent job not only giving us a similar look to Gleason’s designs, but of making this Annual his own. Knowing what happens to Damian only causes this issue to be completely heartbreaking.

Demon Knights #16

And thus comes the new writer, Robert Venditti! 30 years later, Cain is raising a vampire army and is marching for Themyscira to create an Amazon-vampire force that will enslave the world. A now wizened Al Jabr brings Exoristos, the Horsewoman, and Sir Ystin together in the hopes of stopping Cain…but they have to get another member of the former Demon Knights. We then see Vandal Savage has Jason Blood prisoner…and it’s unclear which of the 2 they need! Very good, indeed. The humor Cornell brought to the title is still there, and the story is just as fantastic. I think I’m going to like this new direction.

Green Lantern #16

This is suddenly becoming VERY interesting. And, just like Batman and Robin Annual #1 was a clincher for people on the fence about Damian, this issue has me rooting for Simon Baz stronger than ever. There was good humor in this issue, but most of all, it has a big heart. I love that we’re seeing B’Dg training Simon, too. It seems so ridiculous, yet I think it’s very appropriate, since Simon feels so out of place too. We’re getting very small pieces of what’s going on in the Dead Zone, but Tomar Re is there!!

The Ravagers #8

New creative team means I give it another shot!! And we have a winner! Writer Michael Alan Nelson brings out the best in all the characters. Sure, it’s still very dialog-heavy - which does give it an old-school feel - but it actually falls more in-line with Joss Whedon’s style than how Howard Mackie, James Robinson, and gang stuff as much expository dialog as possible onto the page. And I love Joss Whedon. The humor, subsequently, is excellent…especially Warblade, who steals the entire issue. I’m also interested in these siblings, who appear to have not been infected by the radiation, and could be metahuman as well. I hope that goes somewhere, and I hope this creative team remains on this book. Good stuff. (Whoops, it was cancelled as of issue #12)

Batman #16

Holy hell, this Death of the Family storyline is incredible. I loved this issue. It’s one of those rare opportunities where the writer and artist aren’t afraid to show just how sick and twisted Joker really is. The body-tapestry courtesy of Dollmaker is a prime example, as well as the horse on fire. You really get the feeling, reading this arc, that Snyder and Capullo aren’t pulling ANY punches. To say that I’m shaking with anticipation on how it all ends doesn’t even come close to how I really feel about the next issue.

DC Universe Presents #16

So I don’t think I liked this issue that much. It felt like it rushed the showdown with Nebiros with crazy magics and soul-swapping powers that I didn’t think Blue Devil had in the first place. The witty quips were a bit too much in this one, though I can’t decide if that’s what Andreyko was trying to do…make Daniel not that funny. The art was good, but I think that has more to do with Eltaeb’s colors than anything else.

Green Lantern Corps #16

I love this book, and this issue might be my favorite. Guy in prison, chastised by his siblings, saved by a squirrel. The Third Army is finally after Guy, and the other Lanterns are beginning to catch on. John included. The Rise story concludes in the Annual, and I couldn’t be more excited to see how it turns out. Will the Guardians finally pay for their eternal foolishness? I would like Johns’ final act on his epic Green Lantern run to be the First Lantern slaughtering all of the Guardians…and the GL Corps self-governed for the first time ever.

Green Lantern Corps Annual #1

Picking right up where GLC #16 left off, Guy is sent to Oa to help confront the Guardians, who are luring all GL’s back for a trap. Kilowog and a handful of savvy GL’s meet with Guy and, together, they take on the Guardians. And KYLE RAYNER arrives, all dressed in white! That was quite the surprise. What happens next is such a joyful scene where the Guardians are nearly beaten, nearly destroyed…but then the First Lantern is freed. As far as finales go, this one left me disappointed simply because the story didn’t technically “end.” Sure, the Third Army’s pretty much finished, but there was no closure or walks into sunsets. Instead, the story continues but with a new adversary. So as an Annual, and as a “Conclusion” to the Third Army arc, it didn’t meet expectations. Nice to see Mogo back, though!

All Star Western #16

Another fun issue. Hex was hilarious with the nurse - who turned out to be a great character after all, and it was really great to see his “softer” side, even if it is still hard as rock, when dealing with Mrs. Arkham. What a sweet old lady. I thought she was gonna be more like Wolowitz’s mom. And even though Jekyll’s elixir is now bobbing up and down in the Gotham Bay (how ‘bout that splash page?!!), I can’t help but feel this story isn’t yet over. But I AM excited about the Stormwatch tease for next ish.

Aquaman #16

Okay so let’s start by saying the art is really fantastic. It definitely has that Ivan Reis feel, which I love. I like how we see Cyborg making really tough choices and being a leader, and I loved seeing the Reserves in action. I ALSO like that Orm isn’t behind the whole thing with the Trench, but I DON’T like who really is. I’m a fan of the character, and I don’t like this turn he’s taken. Not cool. Also, how can Wonder Woman and Superman talk/breathe underwater? They don’t have gills, and need oxygen. And if Cyborg had his lung removed and can, quote, survive underwater and in space…why does he need a scuba helmet thing? Is it for the pressure? Oh well, thankfully the story is concluded next Justice League. I like shorter arcs anyway.

Batman Incorporated #7

I really have a problem with Chris Burnham’s art sometimes. He makes everyone look truly ugly. While it’s refreshing to see groups of superheroes that aren’t adonises, perfectly sculpted from stone, and it’s much more realistic that they have all sorts of different looks. Damian and his cat are almost too much - in a good way - and it’s nice how Damian finally explains what’s going on. Now I’m not confused anymore! It’s kind of obvious, though, what’s gonna happen to Damian with how he’s setting himself up at the end of the issue. 

The Flash #16

Flash and Patty have a nice moment before Barry decides to sacrifice himself to Grodd to save the city. However, it turns out he uses his mind to access the Speed Force and bring Grodd in there with him. Yeah, he uses his mind. That’s new. Before, you had to run really fast to breach it. Meanwhile, IN the Speed Force, Iris and the others man a tank and intercept Flash and Grodd. Interesting…. I like how Iris had a big role in this issue. It’s nice to see Manapul and Buccellato are still keeping in mind that, originally, it was these two who end up together and starting the “Flash Family,” as it were.

I, Vampire #16

This issue felt like kind of a lull, because both sides are “getting ready,” so to speak. But it was cool to hear from Cain about his origins, and I loved how he and Mary Seward interacted. Constantine shows up (he’s everywhere now, isn’t he?) and decides to help the rag-tag group of Andrew sympathizers, but unfortunately the issue suffers from multi-artist syndrome. Scott Clark is excellent, and I hope he remains with the title for a while (a good Sorrentino replacement), but the other artists present us with Hanna-Barbera-esque monster creatures…juxtaposing quite horribly with stuff like that incredible final page.

Justice League Dark #16

It was real fun to see Constantine being both funny and pathetic at the same time, and I liked seeing the Face/Off contestant’s winning superhero design make its way into this issue. I’m even more excited to see how things play out with Tim Hunter, the King of Epoch! I don’t remember much of the original Books Of Magic miniseries, so I don’t know how much of what they’re saying about Tim’s ancestry is preboot canon, but I’m still enjoying the dilemma Hunter’s about to face. The art is really impressive in this issue. I loved the fire designs with Infernal Core, and the electricity with the Epoch police dude. Looking forward to the next ish!

Teen Titans #16

So now Red Robin and Red Hood are forced to face off to the death in order to save their captive, respective, fathers…suggesting that Joker really DOES know who they are. But then they turn on Joker…only for the Joker to have been a gas-loaded dummy. I really am tired of how Joker’s always a millisecond ahead…it just doesn’t feel realistic anymore. Meanwhile, we catch glimpses of Raven - which is really exciting - and of Lance from Team 7, who’s still spying on the Titans per Waller’s instructions. Not sure how that’s going to play out. Well, so long, Brett Booth…it’s been really great enjoying your artwork on this issue. DC is saying that Eddy Barrows, of Nightwing, is coming in next ish, but here I thought it was Tyler Kirkham, who did the Zero Issue. Oh well, we’ll see.

Hello, everyone! Time to get the rest of these babies reviewed and out there. Time for December of 2012’s issues.

Action Comics #15

What an interesting issue. Morrison’s always been really good at mixing timelines and multiple stories, and here is a prime example. A number of Superman’s enemies are hunting him at the end of the world, while Mrs. Nyxly explains the 5th Dimension and Mxyzptlk and Vyndktvx. Very entertaining story. GREAT artwork!

Animal Man #15

Frankenstein and his makeshift army join the fight as they search beneath Gotham for some incredibly strong hero that can turn the tide against the Rot. I was really surprised at who it turned out to be. But which of them is it? His face is obscured right now. A bit of a lull in everything, but still building, I can feel it.

Earth 2 #7

Alan and Kendra have a short meeting before things get heated. Though she has a point. Alan’s just being an idiot. I loved FINALLY seeing Mr. Terrific again, and the stuff with the World Army gives this title a little something special that other superhero “team” books don’t have: a political aspect. The hints at the other Society members are still awesome, too.

Dial H #7

This issue was incredible. I loved seeing Nelse and Manteau’s relationship grow. It’s cool how they’ve developed as friends together. The humor here is still great, and the use of Atlantis here, without ANY mention or hint of Aquaman or the Atlanteans was - to say the least - baffling. There’s obvious reference to the other superheroes, so is this another dimension? Or was that a fake Atlantis?

The Phantom Stranger #3

This damn book continues to surprise me with its quality. I loved seeing Phillip Stark’s interactions with his family and friends, though I’m getting used to the way he’s always threatening Thirteen. Seems like a mean, impatient dude. I liked how this whole story tied into the other Terrence Thirteen story from All Star Western, though.

Stormwatch #15

So this is getting kind of interesting. Harry Tanner is obviously the Shadow Lord in disguise, and instead of killing off his enemies (who would very likely try to take him down if they knew it was him), he tries to take over Stormwatch. His plan, much like Midnighter thought, is to take out the superheroes. Midnighter starts to catch on, but not before Tanner turns the team against him.

Deathstroke #15

With a new writer and artist, I decided to give this title another shot. It was good, I thought. I liked the story it presented, though the one thing I didn’t seem to agree with was how Deathstroke would do something while on his contract, it wouldn’t work, and then he’d say, “I knew it wouldn’t work, but I did it anyway.” I felt like that happened a lot. A very violent book, which I expected, but fun in a way. Love that cover though!

Swamp Thing #15

This was a great issue. Swampy and Deadman face off against William Arcane, and a great sacrifice is made. We also get to see Abigail’s story (FINALLY!) on how she fared against Arcane. Swampy makes it to the bat-cave, and we find another couple of shocks. Overall, a pretty fantastic issue. I have to wonder how Scott Snyder felt about what he did to Batman, since also writing the Batman title this whole time.

Green Lantern #15

So intense, as Simon runs from both the law and the Third Army. He tries to clear his name for the van bombing, and I like how it turns out, especially with Fed coming in to help. I was, for once, really impressed with Mahnke’s art, particularly the opening sequence with Lantern Gorish. You finally get a real sense of scale with the Third Army situation, and it’s really shocking.

Demon Knights #15

Hmm…a giant dinosaur and the forces of Hell going to war on the plains of Avalon. I think I missed an issue. Yeah, I didn’t read #14. Oh well. Surprisingly, it was a less-than-outstanding issue for the final input from Cornell. Paul Cornell has, so far, delivered a really great story that I really loved. I was satisfied with the ending, but it didn’t feel as “BIG” as a battle between these forces should be. I dunno. That’s a pretty vague statement, but still. I’m looking forward to the continuing story, though.

Batman #15

Joker seems to have limitless resources in this issue that continue to push him steps ahead of Batman. While it’s somewhat frustrating, I can’t be mad at that and not at the fact that Batman almost always has something in his utility belt that’s good for the moment. I liked seeing the whole bat-family, and the story that Batman tells them, and I’m very excited to see how this crazy story turns out.

DC Universe Presents #15

So this Nebiros demon dude used to use the Blue Devil costume as his “skin” in Hell, before Etrigan tore it from him. Now it likes Daniel instead. Devil and Lightning attack Whale and Nebiros to some pretty poor results, which is fun and all cliffhangery, right? But come on, we all know the BEST part of this issue was the re-introduction of Eddie Bloomberg!

Red Hood and the Outlaws #15

There’s a lot of reaching and assumptions in this issue that I had a huge problem with. We already know Jason’s supposed to be “Joker’s Robin,” that he “made” Jason. I mentioned long ago that this suggested Joker’s known Batman’s identity for a long time. Joker tries throwing Jason’s life at him to torment him, so does that make it true? I guess I don’t like how Lobdell’s rewriting Jason’s history. And some of the things Roy says are baffling. Like how the ship’s phone picks up the calls for Jason that “sound important?” How does that work? He also sees a streak of fire in the distance and says it’s “Joker related trouble.” How does he know for sure? Super unimpressed with this issue.

All Star Western #15

Hex and Hyde face off — but not before Hyde slips Dr. Arkham some of the pure formula, and what results is a hilarious look at Arkham’s primal side. Oh man, I was laughing so hard. I couldn’t see how Hex got back upstairs so fast with the hurt leg, but oh well. Tomahawk continues to amaze with fantastic art, and a moving story that shows us the awfulness the Native Americans had to deal with. Greatly anticipating the final installment.

Aquaman #15

So I don’t think we’re off to a great start with this Throne of Atlantis deal. Sure, the Justice League #15 issue was pretty awesome, but this feels like a sort of disappointment after that. Though I get that this is all a sort of “reaction” to that JL issue, and that I shouldn’t expect AMAZING things. It’s nice to finally see Ocean Master in full view, as before he’s only been teased, though before Orm seemed all nice to Aquaman. I still can’t tell if his mind was changed by the missile, or if he was pretending that whole time. I’ll have to keep reading, I guess.

Batman Incorporated #6

Everything’s getting so incredibly intense here…it really does feel like the end is coming. With Morrison announcing the title’s finale, and stupid Newsarama spoiling the big ending, all I can do is watch as everything unfolds within the pages. And here’s the trouble with reading comics: whatever happens…it’s written. It’s done. It’s there, in canon. So what happens to Cyril, and what’s about to happen to Damian, it’s all already complete and I have no control. It’s a really awful feeling.

The Flash #15

Another good issue, NOT starring the Flash this time! Yeah, he spends nearly the entire thing unconscious, and has “dreams” of all the possibilities that could play out once he takes on Grodd again. It’s interesting seeing the parallels to the previous universe, such as Patty Spivot in the Hot Pursuit outfit. Also great is the double-team on art: Marcus To and Francis Manapul. I like them both, so it’s nice to see their work together, even if I’m not always appreciative of art changes mid-issue.

I, Vampire #15

So, I’m now convinced that being an evil vampire makes you sound like a douchebag. Mary was that way, and now Andrew is. It’s annoying, but more on the “fun” side of the scale. A new artist comes in, with a style very similar to Andrea Sorrentino, and it ends up working very well. March, one of my favorite artists, handles the cover, and I surprisingly don’t favor it as much. The story in this issue gets really interesting as John and Mary track down Andrew’s sire…and come face-to-face with a human Cain!

Justice League Dark #15

Poor Deadman can never catch a break. We finally see where Zee and Tim went off too, and it’s definitely not a friendly place. The rest of the JLD gets to work and is able to transport to this “Wild Area,” where they find that they’re being changed. Zee became more powerful and corruptible, Constantine can’t lie, Xanadu got really old, and Orchid turned into a purple Swamp Thing. I have no idea what’s going on. Only that Tim was the only person who didn’t change. Maybe he really is magicless.

There you have it!! For my reviews of Batman and Robin #15, Teen Titans #15, and Justice League #15, go here!

More to come, soon!!

Animal Man: Jeff Lemire, Steve Pugh, Timothy Green II, Joseph Silver, Lovern Kindzierski, Jared K. Fletcher

I have mixed feelings about this issue. First, I like that we’re getting to see Maxine’s side of the story, before Rotworld happened. I think that’s very important. I can only hope and imagine that her story and Animal Man’s story will eventually intersect at the point of their reunion. What I didn’t like so much were the characterizations of some of the other Red warriors. They were all content to sit and guard their city, but as soon as Animal Man comes in, talking about saving his daughter and stopping Arcane, everyone’s on-board without much of a fight.

Except Constantine. He’s the only one that appears against the idea, though he may know more about what they’ll be facing than the others. That being said, this doesn’t feel like the same Constantine as in Justice League Dark - ironic, since it’s the same writer behind both titles. After everything, I would think Constantine would sit the journey out, or do something else on his own. Perhaps he knows he’d never make it out in Rotworld by himself, or perhaps he knows they’ll all fail without him. I can’t say, but it seems odd that he just goes along with it when he’s so not the team player.

I also can’t say I favored the art in this issue - either of them. Though I will say: Pugh draws Grifter and Deathstroke MUCH better than Liefeld (what? those were mutated rot forms? oh, how embarrassing). Green is covering the pages about Maxine, which seem so incredibly different than Pugh’s style (and Foreman before him) that it feels like I should be reading a different book. And Pugh, I don’t know. It’s good, and the fleshiness of everything is impressive, but I’m just not wowed. And Constantine’s face looks really funky throughout (granted, he looks more like a curmudgeon this way, but still).

There’s a point where they’ve beaten Faust and his rot-horde, and Constantine has him by the throat. The very next panel has Faust a good twenty feet away from the whole group of heroes, with no inclination of how he got there. That seems more like an inconsistency than anything. But maybe I’m nit-picking. Am I saying all of this because I’m not enjoying Rotworld as much as I thought I would be? I suppose that’s possible.

So why am I not enjoying Rotworld? It doesn’t seem to be adding anything to the main continuity of the DC Universe - in fact, it’s the supposed end of everything. That’s not exciting to me. It was at first, but now that it’s dragging on like this, I just want to “get to the point” and see how it’s fixed. The action doesn’t feel threatening enough toward the character. They’re attacked by Faust, Rot-Grifter, Rot-Deathstroke, and Rot-Hawk and Rot-Dove, plus a whole lot more unmen. Why was it so easy for the Red heroes to win?

There doesn’t seem to be any irredeemable consequences with this storyline, and I’m getting bored, I guess.

Animal Man #14, the verdict: I really hope this story picks up in the next issue, otherwise I can’t say I’ll be too excited to keep reading the title. Which is a shame, because I do like Animal Man, and I feel like this was something big that I could get into. It definitely had my attention at first, with the realization of what Rotworld was and what it meant. But maybe the scope of this is beyond my ability to suspend disbelief, and I’m thinking “whaaaat? Really?” instead of truly enjoying it. I’m happy to see all of the characters that are featured, working together under one title, but for some reason it’s not clicking right now.

(Photo Source: Comic Vine)

Action Comics: Grant Morrison, Rags Morales, Mark Propst, Brad Anderson, Steve Wands, Steve Skroce, Jason Keith

Star Light, Star Bright: Sholly Fisch, Chris Sprouse, Karl Story, Jordie Bellaire, Steve Wands, Dr. Neil Degrasse Tyson

I thought this was a really fun and interesting issue…but I did have a couple of reservations about it. Though, to be honest, it’s not the craziest thing I’ve ever seen in comic books. In fact, this one’s more tame in concept than most others.

In summary, the Metaleks are on Mars attempting to work on their own kind of terra-forming because their world was destroyed by the Multitude. Superman arrives and works things out, while trying to keep the handful of human colonists there safe.

Superman then makes mention of the Multitude, and how his father was the only one to have ever stopped them. Remember, we’re now talking about how Earth was on some kind of galactic list for destruction.

What’s most interesting about the Multitude, I think, is how they appear as angels, biblical angels! It’s unique in that it suggests the angels we know of could actually have been an alien race that appeared to us in ancient history. You may think to yourself, why, then, are they trying to destroy everything? Perhaps it’s another “etch-a-sketch” do-over for God, like the great flood?

Well, it’s actually much more complicated than that. Superman figures it out, too, just like his father did. Though, I’m going to be honest, this was one thing that I thought was a little far-fetched. How did Superman figure it out so easily, when Jor-El had been the ONLY other person in the history of the universe to think of it? Does that make Superman smarter than everyone who’s ever lived ever? EVER?!

He figures it out that the Multitude are actually one object attacking from a higher dimension, like how you can press a fork down on a flat surface and leave multiple points of contact (is how he explains it). So, he attacks all of the Multitude at once and discovers that it is a being from a higher dimension: Vyndktvx. Obviously he’s from the same 5th Dimension that Mxyzptlk is from because of the same spelling theme.

This is what I mentioned earlier - how it’s not that big of a stretch for this threat to be the workings of some greater foe for the hero. It’s not like that’s ever happened before. The main difference here is that the Multitude is LITERALLY part of Vyndktvx. The only part that was confusing to me was…are we supposed to know Vyndktvx? Superman said his name, and knew to fear him, like we the readers were supposed to know him. I’m pretty sure he hasn’t come up yet in the series so far.

The only other complaint I had was why angels? Are they an ideal that’s as far-reaching as the 5th Dimension? Or did Vyndktvx know they had special meaning to humankind and used them to make them afraid? It almost seems like a too-easy way to introduce the next villain, even if it is interesting.

It’s really great to see Rags Morales’ artwork again. I’m a fan of how he draws this book, and I think it looks great, as usual. The title page, with Superman standing with one of Mars’ moons in the background, is excellent. All of the other characters featured on Mars all look so unique, and so real. I swear the woman with the blonde dreads looks so familiar to me. Such great work.

The back-up story is really cool (but why did it have to start with Superman abandoning his team?). I love Dr. Tyson, and it’s great to have him featured here in DC Comics. He helps Superman collate data from Krypton’s sun, Rao, to form an image of Krypton…which happens to be as it’s exploding because it took that long for its light to reach Earth. We also learn that Superman is technically 27 years old. Good to know, right?

Action Comics #14, the verdict: I did enjoy the story, and I like that we’re introducing more and more 5th Dimensional stuff. I have a feeling it’s all leading up to an appearance by Mxyzptlk. There were a couple reservations I had about the issue, but I’m choosing to overlook it. The whole “is Superman smarter than everybody” thing seems to be enhanced by the back-up story, in which Superman acts as a “supercomputer” to process all the data from all the telescopes in the world. I guess that’s part of his powerset, an incredible intelligence.

(Photo Source: Comic Book Movie)

Before Watchmen: Dr. Manhattan: J. Michael Straczynski, Adam Hughes, Laura Martin, Steve Wands, P. Craig Russell

Whereas the first issue was extremely interesting because of how true to the original the writing and characters felt, this one was because of the probabilities it explores and the quantum observer effect. Just how smart is Straczynski anyway?

At the end of last issue, Manhattan found himself staring at the reactor room at the Gila Flats Intrinsic Field Chamber, the room in which he was made and John Osterman was killed. The room was empty. How could it be empty, if Manhattan is there to witness it? It’s a complete contradiction.

Life then proceeds as normal for John. He continues dating Janey, and they end up getting married. Everything seems fine. The only problem is that Janey’s watch is, for some reason, unfixable, even though John’s the son of a watchmaker. At the wedding reception, we get to see the effects of the parallel universes that are made when John is forced to choose a room to go into: left or right. Not much seems different between the two universes at first…but things start to spin wildly out of control as John makes more decisions.

Then we get to see a series of choices and consequences. How the world plays out in so many different ways. Some are familiar, some are drastically foreign. Wally, Janey and John’s colleague, then starts explaining the Schrodinger’s Cat experiment and quantum observation’s affect on the observed. It’s all very interesting.

What’s even more interesting is that Dr. Manhattan - as we know him - is observing this very timeline, where John is living out his normal life. So he is actually affecting the outcome of the universe by observing it. I’m not sure what that means at this point, but it’s definitely something I’m keeping in mind. 

I’m also wondering just what the hell is going on with this. What’s with this alternate reality? Is Manhattan unwittingly witnessing it? He does have the ability to see how things play out in the future, is this that? Or is this part of the tachyon particles that Ozymandias used to block Manhattan’s clarity?

It’s always a treat to have Adam Hughes’ art on the interiors of the issue. He’s such a fantastic artist, and it’s rare that he’s dedicated to an entire issue and not just the cover. I, again, like how the faces are consistent, even John’s and Manhattan’s. What was weird, though, was how we don’t actually see John’s face properly for a few pages. It always seems to be hidden in some way.

Before Watchmen: Dr. Manhattan #2 of 4, the verdict: It’s a solid addition to the franchise, and I’m very interested to see where it’s going. The first issue did a great job of helping us get back into the mind of the crazy genius that is Dr. Manhattan, and this issue is outstanding at introducing a truly original feeling story to the mythos that doesn’t feel at all out of place. It’s almost confusing, because of what’s happening and what it means, but it’s really enjoyable because of the mystery.

(Photo Source: What Culture!)

I, Vampire: Joshua Hale Fialkov, Andrea Sorrentino, Marcelo Maiolo, Saida Temofonte, Clayton Crain

Dear Diary, the most interesting thing happened. There was this comic book, called I, Vampire, where a good vampire tried to save the world by absorbing all of the evil into himself, becoming the only, most evil vampire ever…and he suddenly became the villain of the story. Whereas the previous villain, a woman who loved the hero, became human, and mourned both the man and the evil within her that she lost.

I can’t believe I was ever worried that this title would get boring. I thought, early on, that I would get tired of seeing a lone Andrew Bennett fighting the good fight against the army of evil vampires. Not only has that not been the only thing going on, but there have been so many changes and twists to the story that it’s kept the book beyond interesting…it’s been enthralling!

Mary walks through Boston on her own, having a really great internal monologue about what it meant to be who she was, and what it means to not have a shred of that identity left. Well, maybe a little more than a shred is left, Mary discovers as she’s attacked by a would-be mugger.

In a brilliantly violent scene, Mary starts to understand that who she is doesn’t have to be defined by any magic abilities. She and John agree to try to find a woman who may know more about Andrew and how to stop him or save him. The woman is Debbie Dancer, and she knew Andrew from some kind of unspoken past. He charms his way into her isolated cabin, where Mary and John catch up to him.

Sorrentino’s art is in top form - as usual. Maiolo’s colors are unparalleled. I always love taking my sweet time perusing the issues of I, Vampire, admiring the breathtaking artwork. Whether it’s Andrew’s truly terrifying vamp-face, that GORGEOUS winter splash scene of the Maine countryside, even the bloodily brutal panel of Mary punishing the mugger…everything is amazing to look at.

I, Vampire #13, the verdict: Another fantastic issue. They just keep getting better and better. I’m glad we’re past the zombies vs. vampires thing - while that was fun, it seemed a little too fantastical for this book. That being said…I wouldn’t mind seeing Andrew and the others run across other classic horror monsters (are there any werewolves in DC?). This book took an incredible turn with switching the main characters’ roles around…it’s something I’ve never seen before. And it looks like it’s going to be this way for a while. I’m quite at peace with the notion.

(Photo Source: iFanBoy)

The Flash: Francis Manapul, Brian Buccellato, Ian Herring, Wes Abbott

Wow, a new chapter in the Flash story that picks up immediately following the Annual issue. The Rogues are in full force, and have double-crossed Flash…just in time for GRODD to begin his invasion on human society.

My first question is…how did he know Flash was in Central City? Well, there seems to be some sort of connection between Grodd and the Speed Force. It’s mentioned as Flash takes on his army of gorillas and he finds that they’re faster than they should be…and are able to actually contend with the Fastest Man Alive.

The Rogues and Flash put their differences aside for the better of the city, and fight alongside each other. That is the best part of this issue…the interactions between Flash and the Rogues, Glider especially. I love the banter between them. There seems to be some sort of connection of admiration forming, and it’s reminding me of “frenemies” Catwoman and Batman. I’m all for it.

One of the Rogues, though, tries his hand at allying with Grodd…and summarily LOSES that hand!! HOLY CRAP! I did not see that coming…and it’s extremely violent. It makes me wonder what’s next for that character.

Grodd mentions hunting something, and Flash even guesses that he isn’t Grodd’s ultimate goal. What he IS after is a bit of a mystery to me, and we see the result of whatever it is Grodd’s trying to do on the final page. It’s still mysterious, but something seems to have happened with the Speed Force. I’m sure the next issue will explain.

I really enjoyed Manapul’s art in this issue, especially the fighting panels. It’s always fun to see him drawing Flash running around all over the place, moving faster than we can see.

In all, it was a fast-paced issue that read as quickly as Flash moves. I enjoyed the action, and I liked what else we were seeing, like with Turbine confronting Captain Frye, cryptically stating, “I know who you really are.” I loved Flash’s inner dialog at the end, and I’m really looking forward to seeing how this Gorilla War plays out.

The Flash #13, the verdict: Another solid issue. It was action-heavy, which is nice. Sometimes it feels like it’s easy to forget how action-packed The Flash can be…because he’s always running around so fast, solving crimes/problems as fast as he can think. Plus, there’s always a really great story going on with this team. So it’s nice that all that stuff can take a back-seat once in a while so we readers can enjoy seeing a thousand punches per second. Definitely fun.

(Photo Source: Comic Vine)

All Star Western: Justin Gray, Jimmy Palmiotti, Moritat, Mike Atiyeh, Rob Leigh, Ariel Olivetti

Tomahawk: Justin Gray, Jimmy Palmiotti, Phil Winslade, Rob Leigh

I can’t believe it’s been a year, and I’m still reading All Star Western - one of the titles I had the least interest in when the New52 was announced. It’s still excellent, and it still captivates me. There are issues I like more than others, of course, as with any reader on any title. But each month the story is enough to make me still love the characters, still love the situations, and still want to see how it all works out.

And Moritat’s art continues to fascinate me. The way he can pull off so much with, seemingly, so little. I’ve said it before: I think it perfectly fits the Western feel of the book, the tone is matched spot-on.

So, to sum up the events of this issue, Mr. Hyde (or Dr. Jekyll) has been distributing a tonic that brings out the worst in people. He’s either disguising it as something great, or doling it out secretly. Either way, it affects the circus that’s in town. You guessed it. Haly’s Circus. It’s true: if you ever mention “Gotham,” and “circus,” and it’s not Haly’s, you lose a hand.

Hex, Arkham, and Tallulah are investigating a murder perpetrated by one of Haly’s clowns, whom Haly insists is a model citizen of the kindest composure. That’s when talk of Jekyll’s tonic comes up. Yeah, apparently they are helping the dude from last ish look for his master, Dr. Jekyll.

See, there wasn’t a real smooth transition from when Hex and Arkham were talking to the guy to them agreeing to look for Jekyll, to finally them going on their search. It’s just given to us here in this issue. It made me think I had missed something, but I just used my assumption powers and went with it after a couple pages.

What’s even cooler about this issue is that we see one of the characters of a previous back-up story in All Star Western, Yanmei Tsen, makes an appearance. It’s short, but it was enough to make me go “Oh yeah! She’s awesome!” She kicks some ass (and, by the way, this is how you write/draw a fight scene - no dialog!), and then disappears.

Hex and Arkham find that more of Haly’s staff have been at the tonic, and are going insane. This storyline is left unresolved as we switch, then, to Jekyll’s assistant, Reginald, who’s searching for his master. Instead…he finds Hyde, who makes mention of a little black diamond. Exciting!

The back-up story is Tomahawk. And it’s excellent. For what few pages were allowed for the tale, I really drank it up. I thought I’d not be interested, because it’s about Native Americans and history (yuck, who likes that, right?)…but, no, this is a great little story. I’m glad it’s here. Basically, it’s about the persecution of the Native Americans. But it follows one, half-Iroquois, half-Shawnee, who wages war against the American settlers and their armies.

It did a great job of getting me to think about how the settlers took this land from them, so there’s that. Phil Winslade comes back for artwork, and it’s beautiful, really. I like the indistinct, watercolor backgrounds. It helps my eyes to focus right on the forefront of the action, in which there is much detail. His coloring is really fantastic, too. I can’t wait to see what happens next.

All Star Western #13, the verdict: A very nice issue, and a great way to kick off year 2 of the New52. I’m glad that this title wasn’t one of the many that fell aside and floundered in failures. No, not with the Gray/Palmiotti team (the Gray Palmiotti…sounds like a horse breed). I love the involvement of Jekyll/Hyde, and the back-up story is very strong too. I have a feeling these next few issues are going to be just as excellent.

(Photo Source: DC Wikia)

Stormwatch: Peter Milligan, Will Conrad, Cliff Richards, Guy Major, Pete Pantazis, Jeromy Cox, Rob Leigh, Guillem March

What the f*$& is going on? And that’s not to say I’m so confused and it’s awful. I mean, what is all this crazy glory we’re seeing in this issue, and why do I love it? Am I sick? Twisted? The first page of this issue has a woman knifing some dude to death - possibly her husband - while she desperately justifies her actions, and some disturbed kid is doodling crazy pictures of Etrigan on the walls nearby. It’s like something you’d see in those awesome character movies from Twisted Metal Black.

These are some of the residents of the Malory House in London, a building famous for being a terrible place of bad omen and ill deeds. Home of such as the “Giggling Garrotter.” Have I mentioned I love this book? Well, the secret to the well-tarnished history of this doomed building is shown to us very early on: beneath its foundations lies a cursed Etrigan, magically entombed within a deep slumber. It’s taking all I have not to write, “that which is not dead can eternal lie….” Oh, damn, I said it.

Lucas and Andrew - Midnighter and Apollo - are nearby at a pub, where Lucas watches the people giving in to dark urges and making inexplicable lapses in judgement. He always wanted to figure out why it happens in this neighborhood. Little does he know the answer is right beneath his feet. Back in The Eye, Engineer reports the two heroes are missing, and Jenny mentions her being meaner since swallowing a devolver. And that’s where they lost me for a moment.

Maybe it has to do with me somehow never reading Stormwatch #11, but I’ll have to let it go for now. The scene serves a purpose: getting us back to the traitor Harry Tanner and his captive, Emma the Projectionist. Yeah, they’re still doing their thing, and Harry’s turned that dude he got a hold of, the Fox, into some kind of portal. I have no idea how or why yet…but it has to do with him infiltrating the Shadow Lords who control Stormwatch, and then taking over Stormwatch itself. Emma doesn’t seem too keen on the idea, though.

Midnighter and Apollo get their gear out and go hunting in London. They find the Malory House, and the boy who was doodling from before keeps talking about the naughty words…how he mustn’t say them…and how the doodling helps keep the impulse at bay. Well, he’s ran out of crayons…and blood…and has nothing left with which to draw. What’s a kid supposed to do, but say the naughty words?

Altogether now: Concealed within the world of man, release the demon, Etrigan!

Yeah, it’s a little different now, thanks to Etrigan either somehow not having a host body, or is just stuck in demon form while Blood’s off in Hell somewhere. And everybody outside Malory House starts chanting it. The magical shockwave gets the attention of a few high-profile beings in the world, and the beast rises as Malory House falls. It’s pretty exciting, and pretty climactic.

The artwork in this issue is split between Will Conrad and Cliff Richards. I’m not sure whose is whose, but I like the beginning and end artist - which I believe is Conrad. The style in the middle, where Midnighter and Apollo are patrolling toward Malory House, just doesn’t jive with me. Too many lines and not enough detail. It’s weird, too, because I thought I wouldn’t like those few pages where Lucas and Andrew are unmasked. Turns out I did, which isn’t usually my agreeable style.

Stormwatch #13, the verdict: So Etrigan the Demon is back after who knows how long. Over in Demon Knights, we’re starting to see how things could unfold with the banishing/imprisoning of Etrigan on Earth, but we still haven’t seen how it plays out (or at least I haven’t). The issue seems to suggest it’s been a long time, too, since Etrigan was entombed. I like that he’s back…and it’s a good way to put him back in the mainstream comics. I hope Jason Blood makes his return as well. I fondly remember the Batman animated episodes that featured Blood and Etrigan, working alongside the Caped Crusader. I’m excited to see how the New52 treats it all.

(Photo Source: Newsarama)

Dial H: China Mieville, Mateus Santolouco, Tanya & Richard Horie, Steve Wands, Brian Bolland

We’re finally at the end of the Abyss chapter. This is it…the final showdown with a crazy being of nothingness who doesn’t know how to speak properly! I can’t get over how unique and different this title is to every other comic on the market. Sure, there are some out there, wacky titles…but this is just something all its own.

Squid stands between XN and Nelse and Manteau so that they can go stop Abyss. He knows he’s sacrificing himself…and that’s what I love about this character. You start out thinking he’s a bad guy, and then he turns out to be a hero. Excellent. He’s also of the species that helped tame and raise the nothings that Abyss comes from…so perhaps he feels the pain of responsibility.

Isn’t that crazy, though? This totally out-there book, it’s first story arc, has to do with nothingness and nullomancers. It’s such a huge, wild concept that I had a really hard time wrapping my mind around it all as each issue came out, revealing just a little bit more. That’s another thing, China and Dial H held all their cards as long as possible, barely giving anything away, before finally showing what was what.

What a risk to take for a brand-new book, and a first-time comic book writer. I can’t believe DC went along with it, I’ll be honest. It looked like a sure-fire way to lose a reader’s interest right out of the gate. But, not only did China and the team keep our interest, they produced a critically acclaimed comic. Nice job, everyone.

As Nelse and Manteau escape, so that she can fix the dial, we finally get to see her face…and she’s old! Surprisingly old! We get to see how she became interested in dials and telephony (can you believe it’s called “telephony?” I love it) in the 60s. Nelse and Manteau end up arguing over who dials again, so Nelse takes the dial and becomes…COCK-A-HOOP! Not even joking. If you’re not reading this book. YOU NEED TO READ IT. COCK-A-HOOP!

It’s a brilliant hero that ends up being able to turn Abyss’s nothing minions against it, to spin them into somethings that then collide with Abyss, and turn him into something…which ends up killing him. Very cool concept. XN even ends up helping him out, which is great. She realizes that Abyss really would kill them all, but it doesn’t matter in the end…

…For, as Abyss is dying, another dialer comes zooming out of his chasm of a body. An expert dialer, who’s able to transform from hero to hero in split second, no cooldown period, no mistakes, no bad dials. It’s always exactly the hero that’s needed, with the exact right abilities. Nelse and Manteau are amazed.

Squid’s narration at the end is BRILLIANT. I completely fell in love with those panels because of what he was supposing. And, at the end, Nelse and Manteau seemingly team up to try and unravel the mystery of that shadowy dialer that came out of - literally - nowhere.

Santolouco’s art is, as usual, brilliant. I loved the Cock-A-Hoop hero, and that panel of the new dialer express-changing from hero to hero. Everything looks like it belongs, let’s just put it that way. This is, I intend, a huge compliment. For a book to contain as many zany things as this one does, to say that everything looks like it should be there, that nothing is out of place, is a gargantuan accomplishment.

Dial H #5, the verdict: I’m in love with this title, really. And I can’t wait to see what other mysteries Mieville can produce, and what is in store for Nelse in the future. The next story arc will be amazing, I trust, for Mieville knows what he has to follow: a mind-bending adventure about “nothingness turned something.” I hope the team stays the same…I’d hate to lose Santolouco to an artist who isn’t able to comprehend the craziness that Mieville’s turning out quite the same.

(Photo Source: Comic Vine)

Action Comics: Grant Morrison, Travel Foreman, Brad Anderson, Steve Wands, Bryan Hitch, David Baron, Rags Morales

A Boy and His Dog: Sholly Fisch, Brad Walker, Andrew Hennessy, Jay David Ramos, Patrick Brosseau

This issue is dedicated to Ray Bradbury, of whom I am a gigantic fan, and who passed just months before this issue released. It’s only fitting that the October issue, the Halloween issue, be dedicated to Mr. Bradbury, who shared a love of the strange and unexplained. Those not very familiar with his work may find the orange narrative boxes throughout the issue worded a little weirdly, but it’s 100% Bradbury.

This story reveals the origins of the Phantom Zone, and what it’s like inside. I like the different take here. Before, it was a separate place, a sort of parallel dimension, in which criminals were trapped. In the New52, the Phantom Zone is still a parallel dimension, but it’s possible to view the physical world alongside it. It’s as if they inhabit the same space - a theory about parallel dimensions that a lot of people hold. This is what some say cause our “ghosts,” or paranormal activity: brief glimpses into other dimensions.

This tale reads very much like a ghost story, in fact, and it’s very fun. Xa-Du is sentenced as the first prisoner of the Phantom Zone on Krypton, 20 years before it’s destruction. Jor-El is responsible. Xa-Du swears revenge. Today, in the Fortress of Solitude, Superman investigates the newly acquired Phantom Zone apparatus, where Xa-Du has figured out a way to escape, and trades places with Superman.

Within the Zone, Superman meets up with Phantom Stranger and KRYPTO!! They formulate a plan to escape and trap Xa-Du back in the Zone before he can raise a “zombie army” with his Living Death experiments and wage war on Earth - because he now has a hatred of the living, thanks to eons in the incorporeal Phantom Zone. Can I just say how appropriate it is that the Phantom Stranger was somehow trapped in the Phantom Zone? Just makes a sort of sense.

It’s really nice to see Travel Foreman’s art again. Man, it feels like it’s been forever since he was working on Animal Man. His style is so unique and so remarkable. I love the opening pages that take place within the K-Council…the shading and light elements are breathtaking. It’s a true throwback to the 70s Superman movie with Marlon Brando.

If I had to criticize anything, it’d be how certain characters, like Xa-Du, suddenly knew certain details about things without any evidence shown of how they could’ve known them. I chose to overlook these details simply because of the way the story was written…I did really enjoy it. Sure, it was convenient in certain areas, and it may be unfair to grant this issue special consideration in spite of that, but I guess that’s why this is my blog.

The only thing I didn’t quite understand fully was why Superman’s speech was fading to white in the last pages. Was it a dream? Is he disappearing back into the Zone? I’m not sure what that’s all about. Is it a printing mistake? Also, is that Doctor Psycho on the last page?

The back-up story by Sholly Fisch literally brought tears to my eyes. As a pet owner, and animal lover, it was really well-written - still fitting in that style of writing that feels so reminiscent of Ray Bradbury - and showed us that our beloved Krypto was never gone. He was there the whole time. For every step. Every moment. Krypto would never leave Superman.

Action Comics #13, the verdict: Despite a couple of “conveniences” in the story with the characters, I really loved this issue. It’s narration style so spot-on Bradbury, and the story itself is very well-told. Superman trapped in the Phantom Zone? It’s definitely a problem that makes me want to keep reading. The reintroduction of Krypto in the mainstream is very exciting, and I’m looking forward to when Superman can finally free the loyal dog from the Zone. Foreman’s art is incredible, as it normally is, and it was so refreshing to see him back. It, also, fit so well with the issue’s dedication.

(Photo Source: iFanBoy)

Batman and Robin: Peter J. Tomasi, Patrick Gleason, Mick Gray, John Kalisz, Carlos M. Mangual, Greg Capullo, FCO Plascencia

Whoops! Wow, you guys, don’t read this “Death of the Family” crossover out of order! I did that with this issue, here, because - apparently - I don’t own a copy of Batman #14 yet. It looks like I missed some crazy s*%^! Well, now that I know what happens, I might as well continue with this ish.

I like how angry Damian remains in this whole issue. It fits the tone of the story very well. You can tell he’s supremely pissed off, not just about being benched, but about everything that’s happening with Mr. J. And, because Damian’s not the moping type, he breaks the rules and goes out to investigate the disappearance of that dear family member (who remains unnamed for spoiler reasons).

He finds hyena piss and heads off to the zoo (which he hates). Several disturbing panels later, and we’re greeted with - SHOCKER - more disturbing panels! Admittedly, this is probably the most disturbing, disgusting, gut-churning issues of this series so far. And that’s a good thing, don’t get me wrong. It’s truly fitting with Joker’s sick sense of humor.

And hats off to Tomasi for taking the faceless Joker thing and RUNNING with it. I mean, the dude went a full marathon with the idea, and didn’t stop there. Or perhaps we have Gleason to thank for the awesome panels of Joker playing with his face. I’m not sure how that was decided. But it definitely leaves an impression. I haven’t seen any other “Death of the Family” issues where he’s handling his strapped-on face so much, and I like it a lot. It’s very “Joker.”

The only thing that bothered me about it was how bloody it was. Like it’s dripping blood. That thing’s been hacked off for over a year now…it’d be plenty dried by now. Maybe it’s coming from his skinless face? Does he keep messing with it so that it never fully heals and scabs? That’s the only reasoning I can think of.

Joker talks about how the Saturn Club was just his way of keeping Gotham on its toes, to continue to drive people mad. I can’t help but wonder if those two storylines were forcibly smashed together…because even with Joker’s seemingly chaotic personality, it still doesn’t entirely fit. Anyway, he and Damian have a wonderful chat that so often teeters on that edge of psychotic babble…it’s really wonderful. Talking about lighthouses and merry-go-rounds, and using direct metaphors with actual robin and bat carcasses. I really enjoyed their scene.

What’s even more impressive is how Joker’s motivations remain consistent with what he was telling Red Robin in Teen Titans #15. About how all the “bat-family” does is distract Batman, take away from his greatness, so that he’s left with barely any focus for the likes of Joker. I really, really like that this remains constant throughout the crossover. It’d make no sense if Lobdell, Simone, Tomasi, Nocenti, and Snyder all decided to take different routes with the character.

What’s even better is how, despite his earlier confidence, Damian is shown becoming more and more worried about his predicament as the conversation evolves…to the point where you can actually see fear in his eyes. I like that Tomasi was able to successfully and believably show how the Joker’s madness could unsettle even the most stalwart of ten year-old minds.

Do I even need to mention Patrick Gleason’s art at this point? It’s brilliant. Joker never looked more disturbing, more frightening, than he does here. I have to hand it to Snyder and the rest of the bat-team…carving off Joker’s face was probably the smartest thing you could do with the character. It’s made him unquestionably terrifying to any comic book reader. All the awards ACTUALLY go to John Kalisz and his colors, this issue. He manages to create some crazy good panels with Damian at the zoo, and the red-washing going on there, and then he flips the comic on its head with the aviary cage scene. The entire scene is pale yellow and very sickly looking. In fact, it reminds me of bile. Then the grub comes in and severely amplifies that feeling to make for a truly horrifying experience that challenges my gag reflex. Nice work, team.

Batman and Robin #15, the verdict: Despite accidentally reading the events of “Death of the Family” out of order, and missing out on the major kidnapping event, I still really enjoyed this issue. This issue doesn’t even need to be in a crossover event…it’s good enough to stand on its own - though you should never expect anything less from Peter J. Tomasi. This is how any random encounter with Joker should be…enough to make the reader want to go, “Oh my god, put him away forever. Better yet, kill him.” Even the most dedicated of Joker fans, after reading this, should be taking big steps backward in horror. I loved all the “robin” play here, and how Joker’s treating him like an actual baby bird. It’s genius. Can’t wait to see what happens next!

(Photo Source: Comic Vine)