Justice League: Geoff Johns, Ivan Reis, Joe Prado, Rod Reis, Dave Sharpe, Billy Tucci, Hi-Fi, Jim Lee, Scott Williams, Alex Sinclair

Hallelujah! Hallelujah! Hallelujah! Halleeeeelujaaaaah!

Oh wow that’s so lame in just text. I wish I could post a sound effect.

I am, of course, referring to the brand-new art team of Ivan Reis, Joe Prado, and Rod Reis. I’m so profoundly happy about this change that I’m peeing myself right now. This whole issue is full of beautiful art, and really impressive splash pages.

But more than that, it’s also got something of a story cooking up. I’m actually pretty interested in this one, too. So it starts with what appears to be a routine missile test on an aircraft carrier (do aircraft carriers have missiles? Shows how much I know about naval engineering). The missiles go haywire, and then fire into the ocean and start bombing what appears to be Atlantis.

Superman then shows Wonder Woman the importance of having a secret identity, and it’s an interesting scene. But it’s far too short. We quickly move along to Cyborg talking to his father about the botched missile test and how the ship is out of contact now. There’s a nice moment where Cyborg mentions wanting to keep what humanity he has left.

But even that’s too short. The power goes out and it then jumps to Gotham City, where Batman’s taking down some of Scarecrow’s goons and Aquaman jumps in to help. He says there are tons of fish not answering his telepathic calls, which means something’s driving them from the area.

Clark and Diana are out on a date when the sea attacks. Yeah, the sea. It attacks. With the missing aircraft carrier. This kind of excitement is something much more along the lines of the Aquaman title, and the earlier Justice League issues. It’s taken this issue, #15, for me to realize that this title just isn’t as exciting as it used to be.

Aquaman realizes what’s happening, admitting it to Batman, that Atlantis is attacking, following the war plans that he wrote, himself. And, with that realization, we finally see Ocean Master! It’s so nice seeing all of these iconic characters drawn with expert precision in one title.

The Shazam! back-up story shows Billy and Freddie trying to get by with the new Shazam powers, but they don’t yet seem to have a handle on the whole “for the greater good” idea. In fact, any do-gooding they actually do pull off seems to be purely by accident. A sort of avatar of the wizard appears to Billy and tells him that he’s drawn to evil that needs righting, and then Billy discovers he can fly. That’s when he and Freddie have an outs, and Billy leaves him behind. Sad day. This one’s finally getting interesting, and I’m looking forward to seeing how it all works its way into the main story of Justice League.

Justice League #15, the verdict: I’m all for this new story, and this new threat. It’s helping bring the team together to do something together…to face a common enemy. I’m really excited, actually. Mainly because I don’t think Ocean Master has any kind of magic bite that can turn any of the heroes against each other. I’m so done with that. The new art team is, as I’ve mentioned many times before, outstanding. The back-up story is finally picking up tremendous momentum. And Aquaman’s going to be taking a leading role in the Justice League here. All in all, it looks like this book’s going to be getting a whole lot better.

(Photo Source: Talking Comic Books)

Aquaman: Geoff Johns, Ivan Reis, Joe Prado, Julio Ferreira, Rod Reis, Nick J. Napolitano

And here is where I struggled with, for the first time, the fact that these Others characters don’t mean anything to me. Vostok was killed last ish, and we’re meant to care. We’re even given a short scene on the first page of Vostok being a good-hearted guy.

But, even so, I still couldn’t feel anything for him. He was a hero, of sorts, and he died in the line of battle. That happens. It’s sad sometimes, and sometimes it’s not. I’ve read comic books where the whole page was filled with heroes biting the dust all at once, and it was about as impactful as Vostok’s departure here.

That’s when I realized…any of these Others can be slain, and I won’t care. If Mera is hurt, or possibly Dr. Shin, and definitely Aquaman himself, THEN I would care. But, as far as I’m concerned, the Others are just cannon fodder. Plot devices there to rile Aquaman up and make him angry at Manta. It works, too. We see Arthur crying over Vostok, vowing to kill Manta and saying that no one can go with him, because he doesn’t want them to see him go medieval on his ass.

I’ll be honest here. I would much rather have seen these Atlantean artifacts hidden amongst real people. Civilians. People either Aquaman trusted or just randomly chose. He hid the artifacts with them, and then Manta goes around and kills them, taking the artifacts. That way, with each person that’s killed…it’s not only an innocent victim, it’s a personal failure for Arthur…because he got them involved.

That’s much more interesting. And it also shows poor planning and super newbie mistakes on Arthur’s part…something that’s bound to happen in those early days of adventuring/crime-fighting/reigning over Atlantis. Instead, Arthur’s only fault seems to be unbridled rage and the inability to trust those around him. That…that’s boring.

There are a couple great moments, though, like Mera telling Arthur to put on the Aquaman outfit, and not to undervalue Aquaman’s ideals and beliefs, his symbol. I really did like that. There’s also a moment at the end with the Prisoner of War that was really strong. 

Aquaman and Manta finally have their showdown in the ocean as he delivers the scepter to an unknown Atlantean (though Arthur seems to think it’s his half-brother, Orm). Finally, a fist-fight between Aquaman and Manta, unlike the one that happened in the streets before. This one feels more primal, it feels more one-sided. And, let’s be honest, Manta doesn’t stand a chance. He’s not metahuman. He’s just a dude in a suit. It’s a good suit, don’t get me wrong. But, come on. This is AQUAMAN. The dude can survive at the bottom of the ocean! Think about that.

The book’s art is really good, as usual. But the massive attention to detail that Reis usually delivers makes some of the panels hard to see. There’s just so much going on that I had a difficult time understanding what was going on sometimes. Maybe the panel was too small for everything happening inside it, or there was just so much detail, so much that needed to be included, that it was too much of an eyeful. But definitely a lot going on, definitely difficult to read sometimes.

Aquaman #13, the verdict: I’m glad this Others thing is finally over. I’m ready to move on and see some stuff that’s actually relevant to Aquaman and who he is. That’s to say, Atlantean. Yes, I like seeing him doing stuff up on the surface, but that’s only part of who he is. I’m excited to see what he does beneath the surface. The old Aquaman comics I have all take place underwater…so far we haven’t seen too much of that. I’m pumped for the seeming return of Ocean Master, and I can’t wait to see more of Atlantis, hopefully soon!

(Photo Source: iFanBoy)

Earth 2: James Robinson, Nicola Scott, Trevor Scott, Alex Sinclair, Dezi Sienty, Ivan Reis, Joe Prado, Rod Reis

So my disappointment with Robinson’s Earth 2 story wanes a little with this issue. I actually did have a good time reading this one. The problem still exists, though, with the cheesy dialog. I mean it’s REALLY cheesy. And it just doesn’t make sense. These characters must be moving in slow-motion in order to say everything they’re saying while performing the actions they perform.

That’s honestly, though, the only frustrating part about this issue. Everything else I can pretty much get behind. These may be Golden Age characters, but this isn’t the Golden Age anymore. We don’t need comics that behave like Golden Age comics, and we definitely don’t need the explanatory, expository, overdone, cheesy, quip-a-minute dialog that came with them. I almost ate this issue because it smelled so much like cheese.

Anyway, we get a couple of really cool treats this time with the introduction and teasing of a few new characters working with the World Army. First, is a man named “Dodds,” who has a small strike force called “Sandmen” who all wear gas masks. Who else could this be but Wesley Dodds, the Sandman? That’s pretty awesome right there. Terry Sloan makes his return in this issue as a consultant for the World Council - a pretty sketchy development, I do think. There’s also mention of Ted Grant (aka Wildcat), Red Tornado, and Captain Steel (who I’m guessing is supposed to be Nathan Heywood, Citizen Steel, or one of the other Heywoods).

All of that…has me pretty damn excited. I really can’t wait to see these JSA heroes back in action and fighting together. So far, we have most of the major hitters with Atom, Flash, Hawkgirl, and Green Lantern…but I just can’t wait to see Dr. Mid-Nite, Dr. Fate, and our own Mr. Terrific back in action.

It was cool seeing Jay more “in it” than he has been, deciding to take on the giant sized Al Pratt, and his whole gung-ho attitude that Atom jokes about later. These were great moments, and I can’t help but think I’d be just like Jay if I suddenly discovered I was a “Wonder,” as this world calls superheroes. I’d be running around, yelling, “Yeah! I’m a hero! I’m gonna do all the good things!” I’m so lame.

The appearance of Terry Sloan was interesting, and I liked his disintegration gas. It seems a lot of what happens in this book reminds me of a Bond movie, what with all the crazy spy stuff with the World Army, and the gadgets and heroics. I dunno. Maybe I’m crazy, and creating weird parallels. I just like the feeling this issue gives, with the introduction of Commander KAAAAAAHN! and the rest of the World Army overwatch program. Sloan, though, is a madman, and I can’t imagine why the World Council would turn to him, even if Grundy, God of the Dead, is attacking Washington DC.

We’re left with a crazy cliffhanger that’s reminding me a lot of the two big superhero blockbusters that came out this year: Avengers, and Dark Knight Rises. Each of them had a nuclear weapon during the climax. That seems to be the go-to these days in terms of creating tension and edge-of-your-seat thrills. I’d like to see people come up with something else next time. Like I said in the Suicide Squad #0 review: there’s no real high stakes. Is James Robinson really going to write in the nuclear destruction of our nation’s capitol? Well…he did kill off Batman, Superman, and Wonder Woman in his first issue…so maybe I should be worried here.

Earth 2 #5, the verdict: I have to say it’s coming back for me. This ish was a huge improvement over the last couple, in which I was disappointed. The dialog is still a crazy mess, but it was less so. There are several elements at play now, and they’re all coming to a head, which is exciting. Terry Sloan coming in is interesting, and I’m sure that’s going to lead to places that we won’t like, which is good, mind you. I LOVED the teasing of the other JSA heroes in this issue…and I think it’s awesome that they’re still around. Can’t wait to see them come back. Scott’s artwork is, as usual, really fantastic here…with less crazy facial expressions this time around. Even better is Sinclair’s color work. Everything is so distinct and perfect, and it makes for a very pretty-looking book. The main problem remains that everyone talks too much, and it’s all corny.

(Photo Source: Newsarama)

Aquaman: Geoff Johns, Ivan Reis, Joe Prado, Rod Reis, Nick J. Napolitano

OUT. STANDING.

I really can’t stress that enough. This Zero Issue is fantastic. It’s everything I wanted it to be. It’s everything anyone could have wanted it to be. It’s just plain perfect. It’s story is perfectly told, it’s perfectly paced, it’s perfectly drawn and colored. Everything about is top-of-the-line comic making. Let’s begin.

As Thomas Curry dies, he tells Arthur to deliver a message to his love, Arthur’s mother. Thomas’s death devastates Arthur - as he really has no one left except for the mysteries of Atlantis. This then takes us to a scene from a previous issue where he tells off the reporters hounding his lighthouse home and dives off a cliff, stating that he’s not part of the human world.

Well, this issue helps to explain some of the time gap that we witnessed in that previous issue, where he then leaped out of the water, trident in hand. He did go searching for Atlantis…of course, coming up with nothing. This is great, I do like that he can’t find it right away, it’s realistic. No way he’s going to find it on his first attempt.

What he does find, though, is a massive shark. He punches the shark and learns to use his telepathy to his advantage…though the circles we see coming off of him appear all over the panels and in no real cohesive pattern or direction. It makes me think that this is a reactionary response and not something he trained for. Again, I like that. Arthur then saves a boat from crashing and learns from the grateful captain of a man on the coast of Norway who once claimed to be of Atlantis. His name? Vulko. VULKO? VULKO!!

Arthur goes to find him, and - sure enough - it’s him! It even looks like him! That’s testament to the incredible Ivan Reis for capturing the very recognizable look of the old Atlantean advisor, even if he is drawn younger. Vulko reveals much of Arthur’s lineage, including…a half-brother. ORM. HOLY. FREAKING. GOD. Orm is once again in continuity! You may know him better as OCEAN MASTER! One of Arthur’s greatest adversaries. Well, at least more persistent.

Finally, Vulko agrees to take Arthur to Atlantis…and we see Arthur suddenly get an overwhelming feeling of joy as he approaches, as if he knows it’s coming. He talks about never feeling like he belonged, and I might - just might - have teared up a bit when I finally saw ATLANTIS!! God, it’s so awesome.

Ivan’s art, and the rest of the team - Joe, Rod, and Nick - have done an incredible job with this issue…as they do with every issue (seriously, this isn’t even in question anymore). Just look at the pages in the storms - first the one where Arthur saves the boat, and then where Atlanna meets Thomas Curry - they’re gorgeous. All that water, and they’re able to capture it, its motion and movement, its look…so perfectly. PERFECT, I SAY.

Aquaman #0, the verdict: I honestly cannot say it enough. This was just glorious comic book writing. The art is beautiful and stunning. This issue not only answered many questions, but also introduced characters well-known in the Aquaman mythos. It might just be the most satisfying of the Zero Issues so far. It’s definitely a contender for BEST Zero Issue. And I know a thing or two about Aquaman Zero Issues…this is the second one I own that DC’s put out! Can’t wait to see more of Atlantis, and Ocean Master!

(Photo Source: DC Comics)

Aquaman: Geoff Johns, Ivan Reis, Joe Prado, Oclair Albert, Andy Lanning, Rod Reis, Nick J. Napolitano

This is another one of those #12 issues where it all gets super srs bzns. Black Manta has found the Dead King’s relic, supposedly more powerful than Aquaman’s powerless trident. He means to finally kill Aquaman and the group known as the Others. And, apparently, he has the power to do it now. Hence srs bzns.

Also sharing in the seriousness is Mera, who gets a call from the Others up in their floaty plane and finds out that Aquaman went off on his own to fight Manta (I still laugh at the fact that she or Arthur has a cell phone. Maybe it’s Shin’s?). Poor The Others, they never get to have all the high-seas fun! It is actually kind of sad when Prisoner is saying how Arthur doesn’t care about them and everything. He makes a valid point, and I’m interested to see where that whole thing goes.

Cut to Black Manta and Dr. Shin basking in the glory of the scepter of the Dead King, the tool that sank Atlantis. Finally, we have our cause. Sort of. We still don’t know how that went down, but there’s at least the means. Anyone else notice what those statues look like, all huddled around the scepter’s resting place? Yeah, the creatures from the Trench. Cool, huh? I wonder how they’re tied to the Dead King and the destruction of Atlantis.

Aquaman reveals himself and attacks Black Manta’s men. Manta shows us the power of the scepter…and I suddenly don’t think it’s something Manta will be able to control. Likely it will consume him or overwhelm his mind or some craziness. Or just blow up in his face. That’d be funny.

Just as Black Manta tries to kill Aquaman, The Others and Mera arrive to save the day. One of the Others throws themselves between Arthur and Manta’s scepter, giving us a pretty emotional scene, actually. But not before Aquaman admits to his wife that he’s not the man she thinks he is. She may know a little about the Others, but I guess Arthur doesn’t think to highly of himself if he thinks he needs to hide bits of his past from Mera. This is kind of sad, because of how close and open he and Mera used to be…but maybe this is one of those trials they go through that brings them that much closer. Yay!

Let’s talk about the art. Yes, I have to every time. Mera’s dive into, and subsequent leap out of, the sea. Arthur taking bullets to bare skin like a boss. Manta and his glowy death stick, just about every single one of those panels. THOSE SPLASH PAGES. Mera’s water constructs. Manta disappearing into the darkness, “One-by-one, Aquaman.” All of these amazing visuals come courtesy of the Reis’s and Prado. It’s spectacular, the level of expertise in this book. Every single issue is crisp and clear, and full of stuff I’ve never seen before in comics. It’s truly beautiful. Everyone’s work is perfect. Ivan’s pencils, inks by Joe and Oclair and Andy, and Rod’s colors. I just can’t.

Aquaman #12, the verdict: It’s kind of not fair. We, the people, are subjected to this monstrosity, this pinnacle of godly achievement, every month. How are we to grow as a civilization when all we are able to see is this pillar of strength, this monument of carefully sculpted marble, standing above us all? How is it that they can expect us lesser folk to rise up to anything what comes close to everything these select few have built? It’s almost mocking, what they do. A way to showcase their immense talent while, at the same time, revealing to us our inferiority. What cruel masters. What horribly perfect examples by which to live. Curses, Aquaman creative team!

(Photo Source: iFanBoy)

Earth 2: James Robinson, Nicola Scott, Eduardo Pansica, Trevor Scott, Sean Parsons, Alex Sinclair, Tony Avina, Travis Lanham, Ivan Reis, Joe Prado, Rod Reis

We get another old hero reintroduced in this issue, and the rampage of an iconic villain, who gets a major overhaul on his character and motivation. In fact, both of these characters are pretty different, from what I know. Which one do I think improved from this change, and which suffers? Let’s find out.

The issue begins with the birth of Al Pratt’s powers. Now, those unfamiliar will not know that Al Pratt was the original hero called “The Atom,” and eventually joined the JSA. He actually didn’t have superpowers, but was just a short tough guy until he gained super-strength and radiation resistance. Still, even after becoming super-powered, he never had size-changing abilities. That was Ray Palmer. So, it looks like the New 52 Atom will be an amalgam of preboot characters Al Pratt, Ray Palmer, and Pratt’s son, Damage, Grant Emerson. This, I think, is pretty interesting, and a welcome change for the character.

Solomon Grundy makes his big debut in this issue as well. He looks pretty different than before, despite the dead, white skin, and is actually pretty sentient. Instead of being relatively brainless, and always spouting his nursery rhyme (which I always liked), he’s this universe’s Avatar of the Gray, which is this universe’s version of the Rot. He constantly shouts about the Jade Knight, and the Green Knight, in reference to the new Green Lantern…which is apparently this universe’s version of the Avatar of the Green (Swamp Thing). He apparently doesn’t even go by “Solomon” Grundy, but just “Grundy.” That’s okay, honestly, but the way he mixes speaking somewhat intelligently with speaking about himself in the third person is a bit unattractive.

Jay has a bit of growth here, as well, when he finally gains his name of “The Flash.” It’s given to us really stupidly…but I guess I’ll take it. Jay hears someone he rescued say he thought he heard Jay say it to him. Seriously?

I have mentioned, so far, how much I liked the new character designs…and I have to say this DOES include Grundy. He looks like a psychotic butcher or something. Definitely a plus. Atom looks great too.

It looks like Atom’s ready to kick some Flash-and-Lantern-butt, which is kind of a bummer…as I’ve said before how I’m tired of in-fighting, but it looks like, since Atom’s with Earth 2’s World Army, it actually fits story-wise. 

The dialog has places where it just feels way too old-school and awkward. Especially the bit where Hawkgirl and Flash are talking about his speed powers and how his body creates a field to protect from air friction. How can Hawkgirl postulate about Flash’s powers like that without knowing one thing about him? It makes no sense.

But the art is very good. I’m definitely a fan of Scott’s art. Eduardo Pansica is also credited as penciller, but I’m not sure what parts he helped with, as everything looks very much like Nicola Scott’s work. The colors are fantastic as well. Just look at that opening page!

Earth 2 #4, the verdict: This book finally feels like it’s coming along, with all the characters finally coming together. We’ve now seen a lot of Hawkgirl, but we still don’t know a lot about her. The mystery of this character is definitely intriguing, and I can see myself going further through the series without finding much more about her. We do know, however, that she’s known as Kendra. Possibly Kendra Saunders, then. I do have to wonder to myself, though, how interesting is a Hawkgirl going to be without a Hawkman? Not to say that a female can’t carry on by herself, but these two had a very rich history. The “Justice League” cartoon seemed to do okay with just Hawkgirl, so we’ll see. It helps that she looks totally different from Hawkman.

(Photo Source: IGN)

Justice League: Geoff Johns, Jim Lee, Ivan Reis, Joe Prado, David Finch, Scott Williams, Sandra Hope, Jonathan Glapion, Mark Irwin, Matt Banning, Rob Hunter, Joe Weems, Alex Garner, Trevor Scott, Alex Sinclair, Gabe Eltaeb, Tony Avina, Sonia Oback, Pete Pantazis, Patrick Brosseau

Wow, look at all those freaking artists! Maybe that’s why this issue looks kinda messy. It’s never clear who did what pages when it comes to inking, so I can’t tell if Scott did everything Jim penciled, or if others stepped in to help out. Point is, for some reason this issue does NOT look like all the others in terms of Lee’s art. It’s either how he drew it, himself, or the inkers making it look different. The lines don’t seem as thick and bold, and it’s much sketchier than normal.

That was pretty much the only thing I have to say about the art in this issue…is how it doesn’t feel like normal Jim Lee stuff. Anyway, the story opens up with folks on TMZ talking about the Justice League and their recent, very public fighting, and how people are losing faith in the League.

This seems interesting, but unfortunately because we haven’t seen these guys in action for that five years everyone’s mentioning, it’s hard to go along with the feeling that the JL’s been screwing up and causing people grief. I think it’d carry much more weight if we had actually seen them over time, slowly eroding and falling apart, making more and more mistakes. Instead, this whole plot is driven on the one mistake, David Graves and his family.

Graves’ motivation finally makes a bit of sense as he reveals he’s going to use the parasitic creatures from Mount Sumeru to bring joy and happiness to the people of Earth, because they can take the form of people’s loved ones…like they have for him. So we finally get to see what’s been behind Graves’ transformation, his drive, and his goals. It makes sense now, especially his targeting Steve Trevor…because that was kind of random before.

Why we had to wait 3 issues to find this out is still a question…but at least we know now. And, to be honest, I’m considering liking how it was executed. It was kind of fun being on the same page as the heroes - they didn’t know why Graves was doing what he was doing, and he didn’t go on spouting his whole plan at every chance he got, before, which was also good.

The part where Graves is finally freed from the creatures’ grasp was very tragic and emotional. I really enjoyed watching this reversal, and seeing the expression on Wonder Woman’s face as she reconsiders going in for the kill. Look at Graves here, and then compare it to how he looked before: young and healthy. It’s truly sad.

The League goes on to question their goals and practices, seeing as how the world is now closely watching them through the media. Questions are rising about how effective they really are, and just how much protecting they actually do. One of the members actually quits. Superman and Wonder Woman share a tender moment that actually feels good. Johns does a good job of making it feel natural between them, and not so forced as I had feared.

Because this is the year-end issue, and because Geoff Johns is writing it, we get the typical Johns-prophecy-hint-teaser pages at the end. Age-old Wonder Woman villain Cheetah will be making an appearance soon, and Shazam is going to come and fight Superman (ugh, more in-fighting?) and Cyborg talks of a traitor. There’s also the tease of…THE JUSTICE LEAGUE OF AMERICA! DC’s and Geoff Johns’ newest book, which starts in 2013. Ugh, just…please…no more David Finch.

Justice League #12, the verdict: We’re at the end. The end of what feels like an era with this book. It’s been a year, and we’ve seen some interesting stories. Not a lot of development for some of the characters on the team, especially poor Cyborg and Aquaman, and way too much in-fighting for my tastes. Hopefully this romance budding between Supes and Wondy will keep them from hitting each other anymore. This issue did a great job of wrapping things up, and putting a definite “close” on the chapter. The teases at the end also really helped make it seem like a whole new thing is starting with this book, coming next. I like that, and I’m into it. Let’s bring it.

(Photo Source: Atomic Books)

Justice League: Geoff Johns, Gary Frank, Brad Anderson, Nick J. Napolitano, Ivan Reis, Joe Prado, Rod Reis

Questions: Geoff Johns, Ethan Van Sciver, Hi-Fi, Nick J. Napolitano

This is the continuation of Billy Batson’s story. We last left off with him being transported on the subway, much like the others did in the very first backup story of Shazam! way back when, to the place with the Council of Eternity (which I have been calling the Council of Wizards).

Billy meets the old wizard, who’s never actually named in this origin (whereas, preboot, he was called Shazam), and is tested with magic to see if he’s pure good. Well…if the wizard had just been reading this comic book, he would’ve seen that Billy’s not. At all. Sure, he has his moments, but he’s kind of a nasty person.

Oh, but wait, these “moments” he has will be good enough, Mr. Wizard? You’re calling them “embers” of good? That’s cool. So, yes, because Billy has the embers of good in his heart, he is worthy to carry the amazing power of Shazam!

I actually really liked that moment where Billy was explaining why there are no pure good people to the wizard. We finally saw Billy exposed, the scared little boy who grew up shuffled around in the system. The kid who had to adopt his mannerisms in order to keep from being eaten alive by the people of the world. Very well done.

True to character, even after he gains his magical powers (spear and magic helmet?), Billy’s a douche and uses them for somewhat personal gain. Yes, he tries to do right, but he’s so extremely new at this that it’s pretty pathetic. I think Freddie’s a bad influence, keeping Billy from understanding his true role. I have to admit, right now, that I’m not sure how on-board I am with a Shazam who has a steep learning curve when it comes to being a good guy, and not a self-serving kid.

Perhaps that’s the romantic in me, though. It’s improbable to think that, just because Billy’s “older” and has powers, he would suddenly become the most morally upright citizen the world’s ever seen. So I like the realism in that Shazam is VERY much just a larger, empowered version of the Billy we saw so far. It’s definitely a far cry from the Billy and Captain Marvel we knew from “World Without Grown-Ups!”

Gary Frank’s art makes a triumphant return this ish, and it’s nice to see his work completely fill an issue, instead of taking the backup story only. Though, honestly, seeing the full Shazam costume revealed, I don’t like it. This was the costume those weird “armor lines” was most unkind to. And the honking belt makes him look fat. Not that that’s bad, hell, I’m not the skinniest person in the world, but it’s just a weird look on that reveal page, is all.

The backup story here features Pandora, as she hopes to reopen the box and stuff all the evil she unleashed back inside. Gosh, wouldn’t that be great if we could undo our mistakes like that? Poor, naive Pandora. Turns out, though, the wizard comes to her and apologizes for their brash judging decision way back with the others of the Trinity of Sin. He gives her a cryptic explanation of what else the box can do for the world (how very Geoff Johns of him), and then we get another peek into the Trinity of Sin….

…So that’s Pandora and Phantom Stranger re-introduced. Remember the third guy? The one who had his face all melted together like he were being interrogated by the Agents in The Matrix? Well he’s popped back up, and is helping people…while leaving notes behind bearing a single question mark. Your very first thought might be “zomg, the Riddler?!” Pfft, no children. The kidnapper is hung on a streetlight to look like a question mark, and the steam rising around the cloaked figure in the alley looks oddly like a question mark. It’s as if questions surround this mystery person. Could it be…The Question?

Justice League #0, the verdict: Yes. Yes, it can be the Question. This issue has me all excited for things to come, and that makes me happy. I’m glad we finally get to move forward with Billy’s story as Shazam, and we get to see that side of him grow. The other stuff was starting to get monotonous. Pandora’s back, too, and I’m curious as to what’s going on there, but…honestly…it’s always the same whenever she shows up. No real answers provided at all. But it’s the surprise appearance by Question that has my brows raised most high. I can’t wait to see this character reintroduced into the mainstream DCnU, just like I’m excited for the upcoming Phantom Stranger title. Great art, by the way, by Van Sciver in that backup story. Loved it.

(Photo Source: DC Comics)

Aquaman: Geoff Johns, Ivan Reis, Joe Prado, Jonathan Glapion, Andy Lanning, Rod Reis, Nick J. Napolitano

The story continues as Manta hunts for the relics, and Aquaman does everything he can to stay hot on his trail. Last issue, Manta had escaped Aquaman and appeared before Mera and Dr. Shin…hinting that Shin’s possibly been the one aiding and working with Manta.

This issue starts off 6 years ago, before all the Others had their relics. Aquaman leads them into a tomb on an island where the Dead King of Atlantis, the man who built the city originally, had laid all the weapons he had forged, the relics. They each take them - and it seems like they’re taking them because Manta wants them. We still don’t know what brought the Others together as a group in the first place. But I have a feeling we’ll find out.

The Operative tells Arthur and the others that Manta’s heading for the island where the tomb lies, and Arthur says he’ll go alone in order to protect the Others, because the reason Manta went after them all is because Arthur killed his father. So, apparently, this is personal for everyone. Apparently Manta did something to each of them. Sounds like him, and I dig that each of them is bound together by this common enemy.

Hang on, just wait a minute, everyone. Am I still the only one who thinks Vostok looks like Ocean Master? Vostok even takes off his super helmet, and his black hair and beard make it even MORE obvious to me! I did a little research on the name, and it just turns out that he’s named after an actual Russian spaceflight program, which is fitting. Alright, back to your scheduled program.

Manta takes Shin to the island to find ANOTHER relic, a seventh relic. One that’s apparently more powerful than Arthur’s trident. Now, hang on. Arthur’s trident is being used to compare the power of the relics? Surely it’s not the most powerful…it doesn’t do anything. It doesn’t shoot blasts or anything - that we’ve seen so far - and it definitely doesn’t TELEPORT you around the world. Surely the globe, or the bracelets, or even the seeing-the-future trinket is considered more powerful than just a trident.

Perhaps there’s more to this thing that we haven’t seen yet.

This whole issue is filled with beautiful art. Good lord, I can never get enough from this team. Ivan’s pencils are excellent, and detailed as always. Look at that last splash page, the backgrounds. The set. Same with the beginning. It looks so Tomb Raider, and I’m digging it a lot. More than that, Rod’s coloring work is phenomenal. Why he’s not nominated or receiving every single coloring award ever offered is a true mystery to me.

I could list off several examples of why his work is masterful in this issue alone, but I won’t. The work speaks for itself, and is gorgeous. I go through this title twice, once to read the story, and another time just to stare at the artwork.

Aquaman #11, the verdict: Not only is every single issue just a treasure to behold, with the fantastic art team pulling out all stops to bring us such dazzling visuals, but the story is developing into something really incredible. I feel like the villain is ahead, and is powerful. The heroes are lagging behind, and don’t possess the power to win. It’s exciting. It’s engaging. It makes me excited for the next issue. Everyone is all inter-related in terms of history, and it makes for a rich set of characters. We barely know anything about certain of these “Others,” but we’re still able to go along with it and root for them because of the experience they share that comes off of the page so well. If you’re not reading Aquaman, well, there’s just no hope for you.

(Photo Source: Longer Boxes)

Aquaman: Geoff Johns, Ivan Reis, Joe Prado, Andy Lanning, Rod Reis, Nick J. Napolitano

And the web of intrigue just keeps growing thicker and thicker as we learn more of the secrets of Aquaman and Manta. First we see the Operative, one of the Others, breaking into Manta’s place to find out how in the world Manta’s been able to track them down. He doesn’t seem to find anything that we can see before he’s ambushed and flees. He boards his mobile plane-home like Batman did in “The Dark Knight” in Hong Kong. As the Operative settles in, we see a picture of a young man with his grandfather. How touching, the Operative loves his grandfather enough to keep a picture of them— WAIT WHAT?! The old man is the Operative?!

Aaron, the grandson, comes in to make sure his grandfather’s okay, proving it. Incredible! What a great character decision. I love this little mini-twist. They talk about how he’s getting too old, but he doesn’t want to stop until he’s sure someone worthy can fill in for him. I’m thinking to myself, “umm…hello? You have an able-bodied grandson who knows all of your tactics right next to you!” Does no one else see the parallel this is drawing to “Batman Beyond?”

Aquaman and Manta duke it out in the streets while Mera gets more of the story from Shin. About why and how Aquaman killed Manta’s father, thus spurring them on in this neverending feud that’s as iconic as Batman vs the Joker or Superman vs Luthor. We’re treated to a surprise ending that has us either going, “I knew it!” or “Huh? No way!” I was actually the second type…but it makes sense in hindsight.

And all this time, throughout the entire issue, we’re treated to the absolute dessert that is the art of team Reis/Prado. I adore Ivan’s pencils, Prado’s inks, and Rod’s colors. This issue ESPECIALLY has a number of stand-out moments: the panel of Operative jumping through the window out over the city, the plane flying above the glowing city with the moon in the background, THAT DOUBLE-PAGE SPLASH, Aquaman and Manta bursting through the side of the building and into the water, Manta coming up from underwater, Manta blasting Aquaman out of the water, Aquaman’s glowing and melting shirt as he rips it off, and the awesome teleportation on the last page. ALL FANTASTIC. All incredible!

I just learned today that Ivan Reis will be replacing Jim Lee on Justice League as of issue #15. I don’t think I’ve ever been more excited for an art team change in the history of comic books. I really hope the rest of team Reis/Prado will be joining him, because this is one group of artists that CANNOT BE BEAT.

Aquaman #10, the verdict: Another wonderful issue full of conflict and epic action. Aquaman has suddenly come out of his state of ridicule, and the title is delivering some truly heavy hits in all departments. It just goes to show you what a book can do with the right team. Incredible artwork compliments a great story that’s taking its twists and turns very seriously, constantly throwing something new at us. I’m very excited to see how it all ends.

(Photo Source: Every Day Is Like Wednesday)

Green Arrow: Ann Nocenti, Judd Winick, Freddie Williams II, Rob Hunter, Rob Leigh, Tanya & Richard Horie, Ivan Reis, Joe Prado, Hi-Fi

So far these Zero Issues have been written by the series regular. In Green Arrow’s case, that’s been Ann Nocenti for a number of issues. Her name is on the cover for this ish #0, but the inside credits mention Judd Winick as writer…and there’s an absence of Ann’s credit. 

So…who wrote this issue? I’m going with Judd for a couple of reasons. For one, it’s better written. Sorry, Ann, but that’s why I left the series. Two, because I would think that the cover credits have more of a tendency to be printed “automatically” with people forgetting to change issue credits when it goes to print.

SO. This takes place years ago…and we’re not given a definite amount of time…which I like. Apparently, Ollie is 19 here. He’s on an oil rig because he’s botched up so many jobs that his father’s practically gift wrapped for him. This is to teach him a lesson, to keep him out of trouble. But this is Ollie. Trouble FOLLOWS him.

Here, we see that Ollie’s just learning how to shoot from a trainer. It makes sense that Ollie had some prior training before his “life event” that caused him to seriously take up the bow. Because if he hadn’t had those skills previously, what’s to stop him from learning a much EASIER weapon to wield while trying to survive in the wild, like knives or a sword (maybe made from sharp sticks or stones)? But right now, he sucks, and it’s kind of funny.

There’s this really weird false sense of lightheartedness in this ish. The whole time the main characters here are joking around and wishing for more scotch (a very important part of the story), it feels like there’s this really dark undertone. Something stirring. Waiting to strike. I can’t explain it, but it just felt like everyone had an agenda or something. Maybe I’m nuts.

This high-tech robber named Iron Eagle (though Ollie later calls him “Raven”…???) jumps onto the rig and plants explosives, aiming to steal millions of dollars in oil, like he’s been doing to other rigs. Ollie takes it upon himself to save the day. Always with the delusions of grandeur, Queen. Well, the good news is, he gets his first true, straight shot out of it. The bad news is…well…fire.

That’s when everything turns REALLY tragic and we’re treated to some of Ollie’s first real emotions.

Quite literally the BEST part of the issue comes when Ollie bails ROY HARPER out of jail and offers him a job. Roy, snarky as ever, makes an incredible cameo here…but it comes far too late, and then the issue’s over.

One of my favorites, Freddie Williams II handles the pencils this time, and he’s masterful at it. I’m really pleased with his work here. There are hints of that Captain Atom feel, but it’s definitely different (probably because people aren’t melting or morphing). Yes, call me a hypocrite for saying I don’t like lines all over people’s faces and stuff when John Romita Jr. does it, but I don’t know…just the way Freddie draws it, he knows when to go at it minimalist and when to go full throttle with it.

Green Arrow #0, the verdict: So, basically, Judd Winick needs to take over this book. And Freddie too. Now with him off of Captain Atom, I really hope Freddie moves over to this book. He did a great job of portraying Oliver at a younger age - whereas I’ve seen other books do that with their characters TERRIBLY - and did a good job of making Oliver shirtless practically the entire issue without making him OMG BULGING MUSCLES all the time. Winick’s story is interesting, but I was severely disappointed that we only saw Roy for a couple pages. I definitely wanted to know more about how he’s linked to Ollie in the DCnU, and we didn’t really get that in this “origin” story. Perhaps that’ll come from Red Hood and the Outlaws, since we already basically know Jason’s origins.

(Photo Source: ComicBook.com)

Earth 2: James Robinson, Tomas Giorello, Nathan Eyring, Dezi Sienty, Ivan Reis, Joe Prado, Rod Reis

Another issue I fell asleep reading. Granted, it was late and I’d been doing a lot of these that day. But, if the issue were exciting enough then it should’ve kept my interest, right? I think the main reason I was disappointed in this issue was because I knew I had to call it quits for the night soon, so I told myself, “one more issue, Dave.” I sat there, looking at all the #0s I had bought, really thinking about the one to which I would dedicate. I picked Earth 2 because I normally like this book…but it turned out to be almost nothing like the previous issues.

This ish does actually build upon the community of superheroes in this dimension, as well as show us a bit of the world, as it were. It also shows us more of Terry Sloan, the man who assaulted our dimension’s Mr. Terrific when he arrived. In fact, this issue is ABOUT Terry Sloan and what he’s done.

SIX years prior to the events of issue #1 (nice job breaking away from that annoying 5 year precedent), the original 8 superheroes of the world are battling the Apokolips paradaemons for the Earth. We are told who they are: Superman, Wonder Woman, Batman, Catwoman, Huntress, Supergirl, Mr. 8 (Terry), and a yet unnamed hero. We’re given some contrived reason as to why we cannot know the identity of the other hero: “for reasons that all who know this world and this war will understand.”

Well…we readers DON’T know this world or war. So how about you tell us?

That’s just writer bullcrap that means they have a big ol’ surprise in store for us and don’t want it known quite yet. And I say no. Don’t even bring it up. Why start something you know you cannot finish?

And then, there’s Terry himself. He’s…well he’s super annoying. I think that’s his special power. He talks in such a way that just gets under my skin. It reminds me of how I used to write back when I thought I was good.

Anyway, Terry had used tech to visit the other planes of the multiverse and saw futures that drove him mad, basically. So he attacked his teammates and blew up some cities. It’s actually an interesting image we see at the end, of the Earth and the explosions. Gee, remind you of anywhere in particular? A certain war-driven planet, maybe?

The art I’m kinda not a fan of. There are certain parts that look really, really cool…like Terry’s teleportation room near the beginning of the comic, the monsters the heroes fight on the same page, and of course the images of the explosions. But the people themselves are kind of weird, like blocky and with deep facial lines that make them look like they were carved from wood.

Earth 2 #0, the verdict: So I was hoping for something a little more epic here, something that fit with the current Earth 2 issues. What I got instead…well, it felt like a lesson. Like I was sitting in class for a history lesson or something. And it was boring. At least we were given a reason for Superman attacking Wonder Woman. But Terry’s motivations feel really flat. They feel like they came into existence just because he needed to be the villain. I am glad that it’s not a personal thing, though. Like a vendetta against the heroes. That’s definitely refreshing. I was just hoping for something better.

(Photo Source: iFanBoy)

Aquaman: Geoff Johns, Ivan Reis, Joe Prado, Oclair Albert, Andy Lanning, Rod Reis, Nick J. Napolitano

Aquaman’s a badass comic, okay? Just deal with it. This issue starts off with a bang, and doesn’t let up the entire time. In the last ish, we didn’t know much about Prisoner of War except that he had an Atlantean artifact that allowed him to create massive force fields. Here, we learn much, much more. And what’s genius about HOW we learn it…is it’s not done through excruciatingly long expository dialog. It’s done with pictures. Images. Striking images, at that. Subtle words and dialog that allows the reader to fill in the blanks, instead of having the spoon shoved down their throat. THIS IS HOW IT’S DONE, FOLKS.

Yes, I’m talking to you, Tom DeFalco.

Geoff Johns is a genius in this issue with letting us get to know enough about Prisoner as is needed to tell the story. We’re not laden with facts and information we don’t need presently.

I’ve discovered I really like Prisoner, as a character. He’s so tragic and lost. I really like what he does, and how he feels the lives of these dead soldiers. He’s kind of like a vessel for their spirits. He can use these spirits and their skills, their combined strength, to do extraordinary things. A part of me DOES want to know more…but properly, you know? I kinda hope Prisoner isn’t a soldier at all…never was…and he just started picking up these spirits, so now he maybe believes he was once a soldier. I dunno. Something tragic to fit his tragic existence.

I also really love how he says, “Fall in,” to gather the spirits to him. It’s surprisingly not cheesy at all. It’s bolstering. Emboldening. It actually made my chest swell. And I’m not a military man.

Now, Black Manta…is also a badass. He always has been. It’s primarily the suit. It’s sleek, it has weapons, and the huge eyes are definitely an imposing feature. I’ve always liked Black Manta, as much of a raging douche as he is. There’s something appealing about his savage nature. It’s when he’s portrayed as a calm, collected, even down-to-earth guy that I don’t buy it. Like that Young Justice cartoon. No, this guy’s an unstoppable psychopath who kills for the joy of it. I mean, yes, there are other rewards he’s after. But does he have to kill? No. Does he do it anyway? Oh yes.

I like how we’re given a bit more on the backgrounds of Manta and Aquaman, and how they intertwine. I’ve been wondering how they were going to do that. I thought it was going to be more involved with the Others, but apparently not. It goes back further, before them. I’m wondering at what point does Manta don the suit - obviously for underwater survival - to go after Arthur. We know Arthur fled underwater, presumably back to Atlantis, after his father died, or after he was exposed, or something. Is that when Manta followed him for revenge?

Anyway, another great issue. What’s funny is that not a lot actually happens here. Black Manta fights/chases Prisoner, Mera talks to Shin, and Aquaman and Ya’Wara fight their way out of the Amazon. What’s great about it is the pacing. Brilliantly timed, this issue jumps between those three settings wonderfully. It’s all captured by more of Reis’ outstanding art — just look at Mera’s water effects, and the rest of the water in this issue (especially on the windows of Shin’s cabin)!

I’m so glad we have an Aquaman we don’t have to be embarrassed of. I’m so glad this remains one of the top-selling DC books. It deserves it. Aquaman deserves it. Geoff Johns deserves it for bringing us a story that’s deep, engaging, and as much human as it is superhuman. Well done.

Aquaman #9, the verdict: I’ve pretty much said it all already. I’ve liked this series since day 1, and though it has had a couple rough points…it’s still delivered on action and story - sometimes one more than the other - each month. Even more consistent is Ivan Reis, Joe Prado, and Rod Reis. They are among the few creative teams on the DC books that I have absolutely no hesitation - in fact I hardly ever shut up about it - in saying are the BEST. Here, let me emphasize that a little: THE BEST. If this team ever thinks about stepping away from this title even for a month, I have no doubts in my mind it will suffer. A bit of a shame, but that’s the price paid for keeping a jewel so constantly polished.

(Photo Source: Comic Vine)

Aquaman: Geoff Johns, Ivan Reis, Joe Prado, Rod Reis, Nick J. Napolitano

This cover is awesome for many different reasons — a lot of them related to character design — but at the same time it’s completely misleading. Only after reading this issue can you possibly see a symbolism in it of Arthur trying to break away from his past with The Others…but even that’s a stretch, because he doesn’t seem too anxious to get away from Ya’Wara and helping the remaining Others from Black Manta. He doesn’t argue or anything. The Others were “never formally” a team that Arthur led six years prior to the events of this book. Each of the team members held a relic of Atlantis to keep them from enemy hands. So far, I can gather that, all together, the relics become something super-powerful, or imbue some kind of mystic power on a user. In fact, if you look closely at the first panel on page 7, you can see post-its of all the relics, and who within The Others holds them, clear as day. So if Johns plans on keeping this info a secret from us and hope we don’t look closely at the art, I feel kind of cheated. But we’ll see what he does. On this same page, I have to point out, is a hilarious moment between Arthur and Mera. Definitely worth everything right there. Ya’Wara thinks Shin is helping Manta hunt The Others, and takes Arthur to see where the Seer died. We’re then treated to a flashback of The Others in action…doing nothing really, other than saving a village from an avalanche. Perhaps this moment could’ve been better spent showing us what The Others did…why they were together…or why they sought Black Manta fiercely enough for a younger Arthur to condemn a village to death just to catch him. Instead, we’re shown the POW’s relic ability, the Seer’s ability — which we already know — and how Arthur actually has a heart and saves a small child from death, giving up his chase. Again…this we already know. I would’ve rather seen Arthur more ruthless, instead of seeing that he’s the same as he is now. C’mon! These were his wilder, shirtless days! Let’s see some unhinged Aquaman!

Aquaman #8, the verdict: I’m excited to see the showdown against Black Manta. These guys are arch-rivals…and I’m curious as to what Manta did to warrant Arthur’s scorn. Did he kill his child? This was actually one of the things I didn’t like about the relaunch, how it took away all this history between Aquaman and Manta. Perhaps some of it’s still there, but we’ll have to wait and see. With the art, I’m curious as to why Reis didn’t make Arthur look younger in that flashback…he looks exactly the same for a five years difference. Also…does Vostok resemble Ocean Master to anyone else?

(Photo Source: iFanBoy)

Superman: Keith Giffen, Dan Jurgens, Jesus Merino, Tanya & Richard Horie, Rob Leigh, Ivan Reis, Joe Prado, Rod Reis

So here we go…the new staff. I was really worried here, given how much we know how I like Dan Jurgens’ work (go take a look at my Justice League International reviews). Keith Giffen’s up in the air, really. But it’s mainly because of how much I enjoyed the take on the Superman books the previous team came up with. Well, it turns out my fears were confirmed in that they are taking away the huge media aspect from before, and also removing the “outside looking in” viewpoint of the people of Metropolis watching Superman. We’re thrown right back into Superman’s perspective. It was fun while it lasted, I suppose. HOWEVER. I will say that there were several points of this issue about which I was very pleased. Let’s discuss those. First of all…check out that opening splash page of Superman protecting the mother and her son. That’s excellent stuff right there. Jurgens isn’t my favorite artist, because he does this thing with faces that I’m not real keen on. But still, some of the art in this issue is pretty darn good. I liked how invincible Superman is in this issue. He’s really powerful, and that definitely comes off to the reader. It makes it even more effective when Helspont is able to take him down. Next, we still do get a slight taste of the public mewling over Superman as they bum-rush him at the beginning. Not quite the same as the previous issues, but still acceptable. Next is Helspont, and his whole technical whizzows calculating Superman’s biology and everything. That was fun to read, and it sounded very techno-scientific and all. Felt good. The following scene at the Planet was very amusing, and it really did capture this feeling of craziness that I’m sure poor Clark has to deal with all the time. Even with his superpowers, he’s too inundated with requests and demands from Perry, Lois, and even Jimmy that he ends up agreeing to several different things without realizing it. This really reminded me of the feeling from the Superman movies, which is a huge plus. The suit transformation thing was really cool, and I liked how Superman goes up against Helspont like a boss. Like there’s no threat. Because he’s freaking Superman. That seems a bit more in-character to me. Reminds me of the 90’s cartoon, which earns big points. Finally is Helspont’s rant about Earth and his Daemonite people. This was a lengthy speech, and while it didn’t make much sense to Superman - or me for that matter - it had the flavor of a raving madman, which I did perceive Helspont to be. These are all pluses, I’d say. So…in the end, not too shabby for the new writing team.

Superman #7, the verdict: While I lost some of the magic that really attracted me to this book in the beginning, I did gain some really cool flavors and feelings with the change in staff. Is it enough to keep me coming back? I cannot say. I’ll have to check out the next issue to see if it’s something that’s consistent and obvious. As of now, this isn’t a book I’m planning on buying, so I’ll have to read in-store to figure it out. I’m satisfied with Action Comics, and I think one Superman book’s enough.

(Photo Source: Inside Pulse)