SoMuchComics: Mr. Williams, thank you very much for lending your time to some questions I have. You got your start at DC Comics like any dreaming fan hopes, at a talent search during the San Diego ComicCon. Since then you have made your mark on a number of popular titles, including Robin and The Flash, before the relaunch, and now Captain Atom and Green Arrow. I would like to help the readers of SoMuchComics get to know you a little better.

Freddie Williams II: Thanks for all your interest in the Captain Atom series, J.T. and I put a lot of ourselves into that book, so it’s great that you were on board and supported the book, for the whole series!

SMC: Absolutely. I wanted to ring the bell loudly to get as many eyes on it as possible. You and J.T. Krul are credited as “Storytellers” in the Captain Atom series. J.T. has said that you were directly involved in shaping the story of this character. Have you worked on titles previously where you had this much of a hand in the writing of the book? Has it made you want to write a series on your own?

FW: J.T. Krul is a kind and interactive collaborator, willing to entertain spur of the moment suggestions, without stubbornness, when we were talking on the phone for hours, back and forth, like playing jazz. No ego, just notions and themes - that is SUPER RARE! My experience towards the end of JSA All-Stars was similar, with Matt Sturges, where I had heavy influence on the pacing/page breakdown. But I had much more input on plot and themes with Atom though. It’s possible I may try to write a series myself, but for now I think the co-plotting is what I enjoy the most. It’s more fun to throw out a bunch of plot ideas and character motivations, then let the writer figure out how to make all of it work together in a cohesive way.

SMC: Well, we all look forward to the day you decide to expand on your talents. The style you employed for Captain Atom had a lot of your signature handiwork in it, but is definitely different than anything (1) we’ve ever seen you do, and (2) in the mainstream comics out there right now. What helped you arrive at the stylistic choices you made? Did you find it tougher or easier than your previous work?

FW: The amalgam style I used when drawing Captain Atom was very challenging to work in… I had been cultivating the ink wash look on commissions, but the heavy black brush inking was almost brand new to me. I felt like those two styles were as diverse as could be, so it’d do a good job isolating Captain Atom from the rest of the world, since he was the only character to look that way. It was a pleasant surprise to me that DC Comics was on board for the drastic departure from my standard stable of styles.

SMC: I remember seeing the cover art for #1 teased before the relaunch, with Atom’s face in close-up. Stanley “Artgerm” Lau did those first covers, which were amazing, but I don’t think anyone expected what you brought on the interiors. Some really huge topics were explored in the pages of this title: time travel, the Big Bang, one’s own place in the universe. Was any of this daunting, or difficult to figure out how to convey visually? The edge of the expanding universe in issue #12 comes to mind, along with the ocean-like timestream in issues #8-10. I know it would take some controlled substances to help me conceptualize it that way.

FW: Haha, J.T. and I are about as straight laced as you can get, so no help from controlled substances there. Of course there is some difficulty in conceiving some of those abstract topics. Though there is a certain liberation to approaching those big ideas, that there is no visual reality known to us, in which to compare the visuals, i.e. we only need to concern ourselves with the visual metaphor, and to make it look “cool.” The ocean of time was a concept I’d had in mind since I was in high school, so I had a head start on that one! And the visuals for the edge of the universe was supposed to reflect (echo) the nuclear blast wave in issue #3… So thinking about subtext like that - even if the reader doesn’t pick up on it - can be greatly helpful in the development of the story and visuals for the creative team.

SMC: It was definitely fun picking up every month’s issue and wondering what incredible thing I was going to see next. Like I knew you guys would give us an awesome concept for “time.” But, you have worked on a number of different books with DC Comics. Other than having an input in the writing, or adopting a new edge to your artistic style, how has Captain Atom differed from what you’ve done in the past? Has DC’s New 52 initiatives had anything to do with that?

FW: When Michael Marts (Senior Group Editor at DC Comics) offered Captain Atom to me, he stated that they were (at DC) encouraging the artists to take a bigger role in the creative team. In other words suggestions were encouraged. Getting a green light like that is liberating, as I LOVE to have as much input on all aspects of the comic that I can! So that of course was a big change, and Captain Atom was much bigger in scope as compared to a book like Robin, which was fun, but much more “street level.”

SMC: It’s safe to say that Captain Atom is definitely something larger than anything you’ve done before. With the admittedly tragic cancellation of Atom, you have recently come in on the Green Arrow book. Do you find it easier to draw this title, compared to Captain Atom? Or are you finding it more limiting and structured?

FW: It’s easier in that I’m drawing more real life items, but the detail level on the New 52 costumes (Green Arrow and Hawkman especially) adds a lot of time to the page. I like to customize the style I’m working on from book to book, the pen and ink one just fits the Green Arrow book. It’s fun “returning to my roots” with a traditionally rendered pen and ink style. I’ve always loved artists like Jim Lee and Arthur Adams, so it’s cool playing with some of those stylizations.

SMC: Is there anything new you’d like to bring to Green Arrow, in the way your previous book was innovative?

FW: My role on Green Arrow is much more traditional, and narrowed in focus - although I’ve had a few fun conversations with Annie Nocenti (the series writer) and I’ve kicked out some ideas. Really I’m just here to pencil the book, and having a good time while doing it!

SMC: The Zero Issue of Green Arrow definitely looked fantastic. Is there any DC Comics book, existing or otherwise, that you would most like to tackle? Who would be your dream creative team?

FW: Batman would be amazing to work on, and Superman is my favorite character. Doing a series or a stand-alone with either or both those guys would be a dream come true! I’ve had the chance to draw them here and there, but just as guest stars. I don’t really have a dream team of creators, I’ve worked with a bunch of very creative and talented contributors, it’d be hard to narrow it down. :)

SMC: Are you currently foaming at the mouth for any of DC’s currently published titles, or any other comics out now?

FW: I’ve always been a fan of the characters Grifter, Cully Hamner’s Blue Beetle, and of course they’ve just announced that their respective series are ending, but I would have loved to have a crack at either of those titles, especially if I got to co-plot! Outside of DC, I LOVE Teenage Mutant Ninja Turtles, and just about anything in the X-Men house of books… Those were the books I was reading when I first got real serious about breaking into the industry and has a special place in my heart.

SMC: I haven’t been reading TMNT but I’ve heard great things. You, on the other hand, have had a very prolific career with DC Comics, and have done work on very big titles with a lot of the industry’s best talent. What keeps you inspired, and gets you excited to start drawing each day? What do you do to wind down?

FW: Thank you! I’m a driven person, so motivation isn’t usually a problem for me, it’s the winding down or “taking it easy” part that poses the biggest problems. It’s very difficult for me to turn my brain off, to stop thinking about side projects, or wanting to study my favorite comics to unlock their secrets! When I do let myself have down time, I will play Magic: the Gathering, or just hang out with family and friends, which I wish I could do more often.

SMC: Oh, man, speaking of amazing art…those Magic cards are so much fun to look at. Finally, what one thing - be it another comic book, a movie, a popular artist, or anything at all - has helped you the most to become the artist you are today?

FW: Name one thing? Jim Lee, hands down. Artwork so good, it’s both inspirational and demoralizing! I’ve not spent much time around him, but the illusion you get is like you can get a feeling for a person by spending so much time looking at their art, like you are spending time in their mind or something. I’ve made a habit of studying his work, his X-Men stuff especially!

SMC: Thanks for reading, everyone! Check out my reviews of the issues Freddie’s involved on by clicking this link! You can also view the Captain Atom and Green Arrow reviews!

(All images belong to Freddie Williams II, and are courtesy of his website portfolios, viewable here: FreddieArt.com. Some are even available for purchase!)

Captain Atom: J.T. Krul, Freddie Williams II, Jose Villarrubia, Rob Leigh

This is it, the end. The final issue of Captain Atom (not counting the Zero Issue, which I’ve already reviewed). I’m really sad to see it go, but I’ll get to that in a bit. First, what makes this issue so darn good? Well, there’s that Krul thing again…where he writes situations that are amazing and fantastic (in the literal sense of the words), but are grounded in a very painful reality that - most often - has to do with family.

The book opens with Captain Atom’s blue form in a bubble of fluid of some kind. When he removed his “Nateness” from himself, we saw Atom become very removed and monotonous, almost unfeeling. But here, sitting alone and, dare I say, forgotten…he looks like he’s in pain. Not a physical pain, but he’s curled up in the fetal position - a position of self-comfort - and his fists are clenched. It’s very visible, I think, how being alone hurts him. We thought Atom yearned for human interaction before…imagine how it must be without the one final link to humanity Captain Atom still had: Nathaniel Adam. With that side of him literally gone, there’s nothing left for him but emptiness. And that’s tragic.

What makes it even moreso, perhaps bittersweet, is that we next see Nate lying with Ranita all happy and cozy. Even in a very similar position as Atom. So here’s Nate, pleased as punch to have received what he wanted, his dream girl and his normal life, while Atom suffers in solitude. They get notice of what’s going on at the Continuum, and we see poor Benjamin still on fire from last ish. We find out the reason of the fire…that chest we saw last issue was what Ben’s father used to store all of little Ben’s toys away because he was too violent with his sister. A frustrated Ben then went downstairs and lit the house on fire. I like that this isn’t another case of parent-on-child abuse, but the other way around. A disturbed little boy lashing out in rage.

Next is Scott’s mother, who died two decades ago, and he continually shouts that she’s not real, and that she’s not human. Scientists do scans and tests to find out that she’s literally nothing…there’s no structure to her at all. And, all the while, Scott’s poor mother’s heart is breaking at hearing all of this. Megala is flying across the universe with Atom, finally getting his deepest wish. How does it turn against him? Well. He discovers the edge of the expanding universe to find out that there actually wasn’t nothing there before our universe came into being through the Big Bang. There was another universe. It’s still there, too. And with every second, the matter from our new universe screams across the old, obliterating everything in its path at light speed. HOLY CRAP, not only is that incredibly profound, but it’s also very similar to a screenplay idea I had a while back…. Needless to say, Megala is horrified at the revelation. Knowledge comes with a price. But Atom doesn’t seem to be affected by it because he’s so removed.

Nate arrives at the Continuum and reunites with Captain Atom to stop all the madness. We see all of their memories combine from the past day or so, and all of the madness ends. We never really find out why Scott was so upset about his mother being back, and even yells at Atom for giving him a chance to say something before he reabsorbs her. It would’ve been nice to find out what that was all about, but I also like the mystery of it, leaving his anger unjustified to us readers. It keeps him as that “not nice” guy we already know. The scene following, with Atom and Scott’s mother, is heartbreaking not only in what she has to say, but in how it seems Atom is so apathetic toward her. Either because she’s not real, or because he knows he’s not human anymore.

The final page is incredible, and a huge testament to not only Freddie Williams II, but to Jose Villarrubia as well. It’s a stunning view from space as Atom exiles himself, leaving his fate really open, while explaining any upcoming absences from the DCnU because of this book’s cancellation. This whole issue, in fact, is filled with great art. Benjamin burning, the outer space sequence, Atom and Nate reconnecting, and the exterior shots of the Continuum are all great examples of the immense talent on this book.

Captain Atom #12, the verdict: It’s been wild, hasn’t it? Krul and Williams have covered a lot of ground. Volcanoes, mutant-energy animals, military involvement, playing God, time travel, the end of the world, and a much more personal story about what it means to connect to people and what it means to lose yourself. Everything in this title was very well done, and it’s a SHAME on DC Comics to see it go. I would say it’s also a shame on DC readers for not buying it, but I’d risk alienating my own readership. But, at the same time, not enough people bought this book and so it was canceled. Am I taking it personally, because now I won’t be able to read this title anymore? No, not at all. I’m genuinely sad that those who didn’t buy it didn’t get to enjoy it along with me, and now people looking for a truly original and ballsy comic book with a great team behind it won’t be able to find more of Captain Atom in the future. That’s the real shame here.

(Photo Source: Major Spoilers)

Captain Atom: J.T. Krul, Freddie Williams II, Jose Villarrubia, Rob Leigh

The final issue of this stunning series lies here within Zero Month. We’ve caught glimpses of Nate’s life prior to the accident before, but not quite like this. This time, we witness the accident.

It starts very soon after Nate’s father died, and his mind is, as the title of the issue suggests, “checking out.” He pulls dangerous stunts in his jet, and snaps at his friends. He finds solace in solitude, peace and quiet. That’s even part of why he signs up for Megala’s experiment, because he’s alone in it (despite the people monitoring him). This is ironic, considering it’s because of this decision that he becomes Captain Atom, a god-like figure who spends his time wanting to reach out to others and make connections. Someone who’s disturbed to be left with only his thoughts.

We get to see Megala before he became even more of a cripple (I’m not sure what’s afflicting him, and it reminds me of Stephen Hawking, but I’m not making any assumptions). And, thanks to Freddie’s art, I wouldn’t hesitate to dream-cast the late, great Pete Postlethwaite as Dr. Megala in a live-action version of Captain Atom.

Speaking of Freddie, the art in this issue is really great. I love all the lights and mathematical mumbo-jumbo he creates in the earlier panels. And, notice, on the day of Nate’s accident, there’s a picture taped to a computer of the rat that they also tested, which becomes a villain in the main series. I love little Easter eggs like that. Now, if I’m going to mention Freddie’s art, I also have to mention Villarrubia, who’s been doing an outstanding job with colors on this series. Really, really good stuff.

The death and rebirth is reminiscent of Dr. Manhattan, but is different enough to have its own look and feel, and be very separate from the “Watchmen” hero. Remember, also, Dr. Manhattan is a character that was created and was based on Captain Atom. So everyone who always compares Captain Atom to Manhattan should be doing it the other way around - comparing Manhattan to Captain Atom.

The dogfight scene was awesome, with great art and colors. I loved the fat bullets flying around Pierce’s jet. Great style that reminds me a lot of older comics like GI Joe and Transformers. The ending was left very wide open, as it should have been, yes, but at the same time I was hoping for something less ambiguous that had a very similar tone and weight that a lot of the previous issues carried. Though the last sentences Atom thinks are pretty cool.

Captain Atom #0, the verdict: So that’s the whole story. Let’s see if DC sticks to it. I wonder what’s next for the glowing blue hero. Will he show up in other books? I think this was a great opportunity for the Justice League of America comic coming up soon, but I guess he didn’t make the cut. Still, you never know. Perhaps other guest appearances? Hard to say. I get the feeling he’s going to be forgotten, left behind in the New 52. Perhaps no other writer feels they can handle the superhero with unlimited power. Nevertheless, this is a great series, and I’m going to miss it terribly. We’ll always have 0-12, right?

(Photo Source: DC Comics)

Captain Atom: J.T. Krul, Freddie Williams II, Rob Leigh, Jose Villarrubia

This incredible issue is all about dreams coming true. And it was really bittersweet. It was really sad. There was tragedy here, and that seems to be a constant theme in these Captain Atom comics.

Krul does a great job of presenting these characters. Nate and Ranita, Dr. Megala, Dr. Scott-dude, and Benjamin, one of the workers at the Continuum featured in this ish. We already know Megala enough to understand his wants, his deepest desires. He wants what Atom has, he’s jealous. He’s also resentful that Atom doesn’t (or can’t) share what he knows about the universe and can do with his abilities. Scott wants to be with Ranita. He wants to be away from his job, and the madness of Captain Atom’s abilities. Benjamin doesn’t want to be at work, either. And, apparently, he’s tired of people setting him up at work.

Suddenly, strange things start to happen in the Continuum. A box appears before Benjamin. Scott runs into a deceased family member. And something amazing happens to Megala.

Each of them gets a wish. It’s possibly all related to Nate’s human form getting everything he’s wanted. He’s spending time with Ranita. And with each thing they do, each time their activities escalate, the prizes the others at the Continuum become greater. 

I loved both listening to Megala just seethe at Atom, as his powerful blue form sleeps in a containment bulb, and listening to Nick and Ranita finally enjoy their time together. It’s been something we’ve been waiting for this whole time, and it feels like Megala’s feelings are coming to a head that’s going to be rather explosive. I’m definitely looking forward to seeing what happens with him in this series’ finales.

The most tragic part of this issue happens at the end. As Nate gets his own dream fulfilled with Ranita, the others at the Continuum start falling apart. I felt really bad for Benjamin. I even felt compassion for Scott, the jerk. And even Megala’s brought a tear to my eye. That’s awesome.

Freddie’s art is in top form, as always. The expressions Nate and Ranita share, the way they look at each other, really shows their love. The whole sequence with Megala was VERY well done. Beautiful imagery, great coloring. That last splash page with Nate and Ranita is very well done, too. And something for which we’ve been waiting for a while now.

Captain Atom #11, the verdict: Not much more to say. I really liked this issue. It reminds me of prior ones where I’ve been really, truly moved by the events. Mikey’s cancer, and subsequent curing comes to mind. This book has always highlighted the tragedy of life, which is interesting, considering Atom was born of an accident. Something gone wrong. And, go beyond that, Atom is removed from human life now. Human existence and experience. He doesn’t really know tragedy like others do, despite the fact that he IS one. Great job humanizing a book about a proverbial God.

(Photo Source: iFanBoy)

Captain Atom: J.T. Krul, Freddie Williams II, Jose Villarrubia, Rob Leigh, Mike Choi

And now! The conclusion to the Chrono Mota story! So we discovered that the purple energy cloud, Chrono Mota, is actually another form of Captain Atom. The Atoms are all still within the timestream/ocean thing and it’s time to fight to save the world! Even after it’s already gone!

Immediately, what’s interesting about this issue is how Atom admits fear of the end of the world, thanks to Sunday school teachings as a child. He used to imagine what it would be like, the End Times, apparently. Then, in what I take as a Ghostbusters “destructor” moment, a giant beastly mouth comes raging out of the time-sea. And, suddenly, I’m thinking of the Beast From the Sea in the Book of Revelation. Dunno if that was Krul’s and Freddie’s intention, but it comes off well.

The Atoms find their atomic attacks are useless against Mota, and Atom goes into the timestream to try and find the genesis of all this madness…the point that created his God Complex. He imagines what the world would’ve been like if he had never become Atom - kind of an interesting statement to make so close to the end of the canceled series.

Atom in the past figures that certain actions he took at the beginning of the series were important, and couldn’t be touched…or were unimportant to the impending doom of the world. He realizes it began when he realized he could stop people from dying. Mikey Parker, the boy with cancer. The boy that became a disciple of Atom’s in the future and helped Mota release the “vessel” that destroys Earth.

So…what must Atom do to keep that from happening? Well…Mikey cannot live.

It’s a sad story, really. I was so happy way back when Atom saved Mikey, and THAT was so well done. So to have that suddenly taken away, ripped away, was difficult.

Atom comes to terms with his abilities and uses them to create a separate form of himself, a human form. Like he used to be. Separate his “Nateness,” he calls it. This allows him to go have dinner with Ranita while Atom simply watches out in the rain. It’s kind of sad to see this, especially - and it’s the most brilliant part - how, after, Atom asks his Nate self, “Will it suffice?” His face is all flat and emotionless, eyes half-lidded. You can almost hear the monotone in his voice. It’s like he poured all of his feelings into this creation.

The most interesting part of this is…what will this become? Will these two now be at odds with each other because neither can experience what the other has? Or will they be a tag-team of awesomeness? I’m excited to see..

I almost didn’t mention this here, because it feels like just a footnote, and I don’t want it to be a footnote. I want it to be an actual note. Or something. But anyway, Freddie’s art is beautiful. I mean, did we expect anything different? This unique style really works for the character, and I love all the stuff taking place in the timestream. There’s something old-fashioned about some of the panels, like those where Atom’s creating Nate. It totally takes me back to 30s, 40s comics.

Captain Atom #10, the verdict: I like how the ending of this issue winds us down. It feels very much like the third act of a movie. Which is fitting considering it’s the end of the Chrono Mota arc. There’s a lot of tragedy in Captain Atom’s life. And not life-altering, limb-severing tragedy. I mean subtle stuff. Heartwrenching moments of truth and revelation where Atom realizes just how different things are now. I’ve always liked his “outside looking in” status, and with this new Nate creation, that’s going to change.

(Photo Source: The Day the Web Stood Stupid)

Captain Atom: J.T. Krul, Freddie Williams II, Jose Villarrubia, Rob Leigh, Mike Choi

So here we are in the “future” that the multiple Captain Atoms are trying to avert. We see what’s become of Ranita and the hand that Captain Atom created for her. Well, apparently, creating body parts out of nothing has transferred his abilities to her, and she now fights for peace in a scene that mirrors issue #3.

Atom also visits various parts of the world to see that people all over are worshiping him as a God - something I always said was likely to happen in the series - because of the great change and harmony that Atom’s provided over time. But it’s with Mikey, the young boy whose cancer Captain Atom cured early on in the series…a very emotional moment, to be sure…that Atom learns the source of the world’s destruction.

Apparently, this Chrono Mota is a form of Atom, perhaps his far-future self, that has called for the end of the world so as to wash it clean in a very Great Flood kind of way. The only thing I don’t understand about this is why? It looks like Atom’s been able to bring a lot of peace to the world, so where’s this evil that requires the destruction of the planet to eradicate? Sure, it looks like all of western civilization is cured of strife, but the Middle East is still a problem apparently. Is this a statement to how this area will never overcome its shackles?

And does the whole world need to go just to get rid of some terrorists?

So Atom tries to stop the bomb thingy when Chrono Mota pulls Atom back to his time, and Atom finds himself in that volcano from the beginning of the series. Interesting how it all went full circle, and he created the volcano that appeared in New York. I like that we’re getting an explanation there, and I wonder if Krul planned this all along.

So this Chrono Mota slips into the timestream with the Atoms and starts attacking them…but if Earth is still going to be destroyed, why does it care still? Just to make sure the Atoms don’t try to interfere again? Also…if it destroys the Atoms in the Timestream, does it also destroy itself? Causing it to never exist? And therefore never give Mikey the idea to destroy the Earth? This is a little confusing, when you think about it…

…That’s why I chose to think about time travel and such as a linear story, while the timestream around it remains fluid. It’s difficult to explain, and I don’t want to lengthen this review with my ramblings about linear time travel. But it works if you let it. If you overthink time travel, you’ll go nuts.

Captain Atom #9, the verdict: While I thought it was a good issue, it wasn’t my favorite. But I like how elements from previous issues are coming into play again…Ranita’s hand, Mikey, the volcano…because it helps this all feel like one story, one world, where actions have consequences. A lot of times, in a comic, a hero will do something…save the day…and then you’ll never see what happened to the fifteen buildings that were destroyed in the process, or whatever. The victims never cry out, or are heard from again. Not the case here. This is a book about consequence, and I’m definitely digging that motif.

(Photo Source: Tess Ate Chai Tea)

Captain Atom: J.T. Krul, Freddie Williams II, Jose Villarrubia, Rob Leigh, Mike Choi

HOLY CRAP. They did it. I said this team would come up with a way of showing the concept of time in a wholly new and original way, and they did. It’s absolute genius. It’s not a line, it’s not a loop, it’s not a circle, it’s not any shape at all, actually…which is part of the genius of it. It’s an ocean. A globe of water, or liquid anyway. All of the events ever flow and slosh together freely, which really makes sense in many more ways than one. Atom enters this literal “time stream,” and meets up with his other selves, who have gathered to figure out how to prevent the end of the world…which, apparently, he caused somehow. Now, we don’t know how he caused it, or which event sparked the beginning of the cause/effect ripple that leads to the destruction of the planet, but that’s what they’re all there to figure out. So Captain Atom goes forward in time to the day before Earth ends, and finds the people revere him as a God, have even painted his symbol on their hands. It’s madness! But I did always say that Atom does appear to be god-like…and so this is a natural progression to take…a natural growth of the character, and an assumption of the whole DC universe future made by Krul and Williams that doesn’t seem wholly wrong. In the future, Atom runs into Megala…who has become that villain he always seemed to resemble, and with good motivation at that! The dude’s jealous! It’s the whole Hammond complex with Green Lantern! We also find out what happened with Ranita…and there were some side-effects to Atom’s healing her hand…. This is unbelievable, really. The huge grandeur of this issue, and all that it implies, is almost mind-bogglingly too big! The coming issues are promising a crazy ride, and I’m excited to find out what happens. What’s it going to take to save the world?

Captain Atom #8, the verdict: Some primo excellence here, as always. Krul never disappoints. You can tell he really loves writing this character, and his stories. It’s a shame about the cancellation, and I’ll always be mad at DC for that. Plus, how can we know the character won’t be ruined by another writer’s contribution? By chunking him into another book’s story? Will they do him justice? Oh well. This series is fantastic, and totally worth owning. I can’t wait to see what they turn out next.

(Photo Source: iFanBoy)

With DC announcing their four new crappy-sounding books…

…they of course need to make room to maintain the “52” mantra.

They had previously announced the end of Justice League International in August (about time, too)…and now it’s become known what the other three titles will be. And I couldn’t be more pissed. Well…I could…but that’s beside the point.

Voodoo, Resurrection Man, and Captain Atom. Done this September.

Captain freaking Atom. 

Some of you may know that I recently named Atom at #3 in the Top 10 titles DC Comics is putting out right now. Even so, the first two were BOTH Scott Snyder books…which means J.T. Krul and Freddie Williams II are TOP TWO creators.

I’m really ashamed of DC for this choice. The others, I can understand because of inconsistent quality and heroes who were not high-profile enough. But Atom? He’s been around forever, and he has appeared in many places over the past couple years.

I have to admit shame in the readers, too, for either not reading this title at all, or just downloading it without paying for it. You’ve missed out on the continuation of a truly brilliant comic book series.

And yet…other extremely BAD titles are allowed to continue on as if they haven’t turned out crap month after month. I can’t believe it. Goodbye, Captain Atom.

Alright, so the first half has been posted.

It is time to display the Top 5 books from DC. Remember, these may not be based entirely on sales numbers. In fact, some of them are suffering more than others.

It’s important to keep in mind that some books have quality - much MORE than others - but simply aren’t making the numbers because people either refuse to give it a try, or just haven’t picked it up yet.

Here’s the top of the list:

No.1: BATMAN by Scott Snyder & Greg Capullo
It’s a daunting task, relaunching such a popular hero. Some have done it fantastically. Some, horribly. But I don’t think anybody expected the level of talent and success that erupted from the pages of Batman. Of all the New 52 arcs, very few have similarly created a story that weaved so perfectly through their first issues. It pays to bear in mind that Batman is STILL on its first story arc, and we’re headed into month 10 of the New 52. Certainly none of the other books have had arcs that are this AMBITIOUS. It’s incredible to think of how influential Scott Snyder was in the crafting of this new Gotham City, inserting the Court of Owls and creating an almost entirely new history for the dark metropolis. All of that alone would be almost enough for this book to claim top spot on my list. But wait, there’s more. Not only has the writing been mind-blowing, but Capullo’s artwork is nothing short of perfection. The Spawn-veteran’s style seems BRED specifically for this title. Capullo’s contributions to the book include so much more than just pencils, as well. His ideas led to a truly boggling layout in one issue that had readers flipping the comic over and over, and reading in the wrong direction…allowing them to experience the same dizzying confusion the title character was going through. Never before have readers been this intimately connected to the characters in the book, and never before has any one Batman title or issue been as outstanding as this one. Scott Snyder, Greg Capullo, and the rest of the stellar Batman team have created A TRIUMPH. This is a series that readers will remember forever. A series that will survive through generations of DC fans. One that proud grandparents will pull out of the closet and hand to their cape-wearing grandchildren. This is comic book immortality.

No.2: SWAMP THING by Scott Snyder & Yanick Paquette
Is it any surprise that the number 2 spot also goes to DC superstar Scott Snyder? I’ll be honest, though, it’s not because of his name. He has clout, yes, but it’s his talent that got him the top 2 spots. This title offers a couple of things not only to DC readers, but to DC Comics themselves…and it’s that contribution that cemented this ranking. Let’s face it, Swamp Thing is - at best - a C-list hero. If there hadn’t been a movie made about him all those years ago, most people probably will have never heard of him. DC put into action the, honestly, bold move of resurrecting the hero in the “Brightest Day” storyline…and now he’s back for good. This book is helping DC by leading the charge of their horror line of comics. And one look at Yanick Paquette’s gruesome artwork will have anyone convinced…this is a horror book! To say Paquette has more skill manipulating flesh than William Arcane - or Seethe himself - is a good START. The story of Swamp Thing so far has been an interesting one…and it’s another of DC’s New 52 titles that is only just ending its first story arc. With a story that keeps you engrossed (no pun intended), and artwork that’s impossible to wash from your mind-brain, Swamp Thing is a book that has the potential to live on for years, should this team stick to it.

No.3: CAPTAIN ATOM by J.T. Krul & Freddie Williams II
Some of my readers may think I put this so high on the list because of my public fanboy crush on J.T. Krul and his work. While that may have played a little bit in the deciding factors, it’s also deserved. This is yet another case of, at best, a C-list character who was really very dry and underdeveloped pre-relaunch. He had his own title for a while, but it was too caught up in its own confusion to ever be a ground-breaking book. Generation Lost was the first time he really stood out at all. Now Krul is doing the unthinkable. He is taking the infinite power of Captain Atom and shaping him into a god. And not just a god. But, could it be, THE god? Certain people in the series seem to think so. Even Atom himself might just see it that way. Perhaps it’s true, as well. What’s great about this series is that we get to watch Atom consider human emotion, and how it effects him now that he’s somewhat removed from it, and also yearn to experience normal human interaction. How like a god. Krul also explores Captain Atom’s incredible powers that seem practically limitless. And, most recently, he has been playing with the very fabric of reality and the concept of time. This is all beautifully drawn by Freddie Williams II, who captures all of this complex imagery with such finesse. This kind of look is so unique and fresh that it inflates Krul’s already incredible story with a gravitas that no other DC title can boast. No other book has us mortals relating and identifying with a god.

No.4: TEEN TITANS by Scott Lobdell & Brett Booth
This title has a rocky history, though it’s been around for decades. It’s had its ups, and it’s had its WAY downs. Not to mention, some of fandom’s favorite and most cherished characters have come from or flourished in this title (mine included). So imagine the fan outrage at the relaunch announcement when these seven punk kids appeared in the promo art for the first issue. The beloved characters were almost unrecognizable. It was a risky redesign that inspired a lot of haterade. So with all that potential negativity, how did this title reach such a high spot in my list? They pulled it off. Lobdell - no stranger to groups of teenagers with superpowers - has delivered a story that not only poses a big enough threat to require the attention of all these heroes, but it’s also a logical reason for all these misfits to band together and form the Titans. They’re not together just to benefit the title, because they HAVE to be. No, the book actually makes sense. And beyond that…the book is FUN. And isn’t that what matters most? A comic book could be so expertly written and executed…but if it’s no FUN, readers won’t enjoy it. The characters are all developed very well, and have unique voices that will serve the series perfectly as we learn more about each one of them. Another aspect of the title that makes it so excellent is the art team. With Brett Booth on pencils, this book could not be more fun to look at. He hides a lot of Easter eggs in his work, and that’s just part of the fun…finding those. But his facial expressions - especially those of the ever-emotive speedster, Kid Flash - are always at a point of maximum amusement. Not since Geoff Johns’s run on the title has a more dysfunctional Titans team been more interesting to read. Teen Titans is a blast.

No.5: THE FLASH by Francis Manapul & Brian Buccellato
There is a lot of risk involved in restarting an entire legacy. Imagine for a moment if DC took Batman back to the beginnings with Dick Grayson as Robin, or even before that. When you take away the fans’ precious favorites, you become a pariah of sorts. Couple that with the backlash DC felt when they announced that helming the new Flash series would be an artist who had never penned his own series before. This was a formula for disaster (it sure blew up on other New 52 titles). But with Manapul and Buccellato came a grace and elegance of style that has never been seen before on a Flash title. They created eye-catching layouts and drew the book with such flare that I found the book gave off this kinetic feel in its art. My mind could so easily fill in the blanks in between each of the Flash’s movements and it gave the mental illusion that he was really moving. I’ve literally never seen anything like it. Let’s also take into account the excellent story they’ve weaved that has linked each issue together coherently and logically. We’re introduced to tons of familiar faces, and the new ones are just as good. Lastly, the unique, sometimes lavish exploration into the Flash’s Speed Force powers are providing the book not only with incredible, memorable moments…but empowering the Flash to make the Fastest Man Alive faster than he’s ever been.

Captain Atom: J.T. Krul, Freddie Williams II, Jose Villarrubia, Rob Leigh, Mike Choi

Can I first say that Mike Choi is THE MAN? Look at that cover! I love the crackling along Atom’s skin and everything. It’s incredible. This whole issue is absolutely heart-breaking, though. Watching Atom remember his life as Nathan and the events leading up to his decision to fly the experimental craft for Megala, and how that turned him into Captain Atom, really tugged on my heart. It was very moving. Krul does that, I’ve noticed, in some of his work. He understands family and love, and uses that to great effect for the characters in his books. I remember in the “Brightest Day Green Arrow” series, the issue about his mother was so incredible. Here, we have a brilliant layout of Nathan prepping for launch with a blonde woman, side-by-side with Nate as a boy playing with a blonde girl, Heather. I only assume it’s the same person. It’s also insinuated that this is the first and LAST girl Nathan ever touched before his accident. We also see Nathan losing his father, who - only pages ago - was teaching young Nate how to ride a bike. Just thinking back to it almost brings tears to my eyes…and I mean that. I still remember the day my father first let go of me while I rode my bike. All of this emotion is accompanied perfectly by the wonderful, stylistic art by Freddie. In this issue, there’s no difference. Freddie never lets his skill dip in the least, issue to issue. At the end, Atom remembers the simpler joys of life - as he had talked to Megala before - and wishes he could be a part of it. I practically sobbed out loud when he hoped Renita’s favorite color was blue. Damnit, Krul, knock it off! :’(

Captain Atom #7, the verdict: This is the first issue in a series that is exploring the concept of time…something that was softly introduced at the beginning of the series…and what it means to Atom. This is interesting to me because I’m wondering how similar it will be to how another character, based off of Captain Atom, Dr. Manhattan, views time. In any case, I know this creative team will NAIL it with a level of genius that will not be matched. I promise you we’ll see time described in such a new way, and it will be drawn like nothing you’ve ever seen.

(Photo Source: iFanBoy)

Hello everyone.

Due to continuing financial concerns, I am going to be dropping even more titles than my previous “Status Quo” post. I’ll list those below, so you can see if I’ll still be covering the titles you read and/or are interested in.

Also, I can’t guarantee how often I’ll be posting these reviews, and how on-time they’ll be in the future. Hell, I don’t even know how long this Tumblr, with its current purpose, will last. It’ll still be here, and I’ll continue to share incredible comics-related content, but beyond that I don’t know.

Basically, I’ve got too much on my plate. I’m writing for screenplay ideas I want to pitch and sell, and I’m currently the sole writer on a cartoon pitch I’m trying to get off the ground with a friend. Gotta cut back somewhere…and comic reviews is the only place that isn’t really showing the promise of a lucrative income. :\

Sorry, guys.

Here are the comics I’m continuing to purchase and read, and hopefully review for you:

Justice League, Aquaman, The Flash, Captain Atom, The Fury of Firestorm, Batman, Batwing, Batman and Robin, Batgirl, Nightwing, Catwoman, Red Hood and the Outlaws, Action Comics, Superman, Superboy, Green Lantern, Green Lantern Corps, Teen Titans, Legion Lost, All Star Western, Stormwatch, Justice League Dark, Swamp Thing, Animal Man, I, Vampire

And the Second Waves:

Earth 2, World’s Finest, Dial H, GI Combat, Ravagers, National Comics

As for Marvel, I’m only doing the following:

Uncanny X-Men, Wolverine and the X-Men

There may be a couple other titles I throw in as well, but this is the main bulk, which is - of course - subject to change. :)

Alright, you guys. DC has already canceled 6 titles from their New 52. Newsarama takes an educated guess at the next 10 that are in danger of seeing the guillotine, and gives their reasons why:

10. DC Universe Presents - I have to agree that the arcs need to be much shorter.

9. Frankenstein, Agent of S.H.A.D.E. - I, too, never got into it because it’s not a superhero.

8. Legion Lost - I believe this one’s sales are down, but it’s starting to see more DCnU integration.

7. Fury of Firestorm - Sadly, I agree here too. Not getting the focus or attention it deserves.

6. Resurrection Man - If this book keeps spinning its wheels, definitely in danger.

5. I, Vampire - This is a great book. Start reading it and SAVE it!

4. Grifter - Honestly, I lost interest, and if Liefield’s writing, it’s only a matter of time.

3. Blue Beetle - Can the recent change in the locale of this young hero save the book? Needs more attention!

2. Voodoo - It started out strong, but a writing change could be the final coffin nail.

1. Captain Atom - I was SHOCKED to see this on their list. This is one of the best books ON THE SHELVES right now! GO BUY IT!!

Click the link to read all what NEWSARAMA has to say about each DC title!

Captain Atom: J.T. Krul, Freddie Williams II, Jose Villarrubia, Rob Leigh, Stanley “Artgerm” Lau

I’m going to start this one out with a bang. Captain Atom is one of the best books in the New 52. Krul and Williams consistently deliver a full and deep experience with every issue, with every read. We’ve already seen some of the amazing things Atom can do with his powers, and he’s nearing the limitless abilities of a god. I’m sure there are those within the DCnU who agree. What’s super fantastic about J.T. Krul’s writing - and what keeps me scurrying back to whatever he decides to put out like a loyal dog - is how bold-faced he is in his storytelling. He doesn’t sugar-coat. He doesn’t hold back the nitty gritty, uncomfortable stuff because kids might be reading. He tells true stories that have real outcomes and real consequences, superpowers be damned. He’s one of the most honest writers in comics I’ve ever read. In this issue, Atom tries to relate to a rat that had a power exchange happen to its body very similar to what happened to Captain Atom. Atom decides that the best way for it to go would be to allow it to absorb so much energy that its molecules dissipate into nothingness, much like we were seeing happen to Atom in issues #1 and #2. The sequence is actually quite sad. The way it was written makes Atom almost seem…not like a bad guy…but more like someone who’s decided to put down their injured horse or something. It’s that notion of exercising that dominion over the beasts of the earth by determining that you think it’s better for the animal to die because you believe it’s suffering. And you start to wonder…will Atom ever start thinking that way about humans? Will he start thinking sort of like Dr. Manhattan did, and view humans as a completely inferior species to him? We’ve already seen Atom interfere with others’ lives in this series, and he does it again here in this issue with Ranita. Captain Atom is seeming to start to come to terms with his isolation, his solitude, but how long will that last? Freddie’s art is great, as always. I love the style here, it reminds me of an ink-heavy manga book style sometimes. Not every single shape and detail is defined. Rather spaces devoid of excruciating detail are left shaded in or blacked out. The brightly colored pages of Atom exerting his immense power onto the rat are beautifully done, with an excellent panel layout that really serves the flow of the action and the whole issue. What we’re left with on the last page is definitely intriguing, and quite surprising. I wonder if we’re going to start seeing Captain Atom’s ability to time-travel when he absorbs too much energy next issue.

Captain Atom #6, the verdict: As I said, this is one of the best books in the New 52, and one of the best creative teams behind any comic book out there right now. It’s this book, and others in the DCnU, that are the reason why I don’t read a lot of Marvel. To me, these stories, these creators, these comics are just hundreds of times better than what the other companies are offering. I love what Captain Atom offers, and I love what it suggests. The biting social commentary, and the struggle of a lone man with untold, god-like power to regain his humanity, makes for such a compelling story. I can really see this series lasting for a long time, as long as this team sticks with it and continues to drop atom bombs on our brains every month.

(Photo Source: Newsarama)

(Photo Source: ComicVine)

Captain Atom: J.T. Krul, Freddie Williams II, Jose Villarrubia, Rob Leigh, Stanley “Artgerm” Lau

After all the major action and craziness we’ve seen so far, this feels like a little break. A chance for us to catch our breath…because things are about to get completely and totally crazy. While a part of me feels like I’m missing out from the normal wackiness of Captain Atom, I’m also really relieved at this reprieve we’re given. However, we are treated to some excitement right at the start of the issue with some extraordinary action. This sequence actually poses a good question on whether a god dreams…and reminds of “Do Androids Dream of Electric Sheep.” Of course, though, Atom’s dreams are nightmares. It’s not like this guy has a lot of positive stuff going on in his life to dream about. I can’t wait to see what happens with Ranita, and the consequences of Atom’s actions regarding her - what with the melty hands. I’m wondering if she’ll somehow be transformed in some way, as unlikely as it sounds. I mean, her burned skin looked a lot like ol’ “Krang,” whom we finally see in this issue - that pink monster that’s been attacking people throughout the nation. So I’m wondering if that’s at all connected…especially after we discover that “Krang” has the same energy signature as Atom (yeah, I’m calling the gelatinous creature Krang because, honestly, it resembles the beloved character so much). So it’s becoming less and less of a huge leap. This “Krang” creature provides us with virtually all of the action within the issue, and that’s okay. Like I said, this felt more like the breath before the leap…and I think the next few issues are just going to explode - I mean, if the covers have anything to say about it, it’s about to get real. Not only that, but this Doctor Alexander dude has recovered one of the feathers from the air force base where Atom transfused the planes into feathers…and he’s saying that Atom turned the inorganic into organic material. That, of course, is just about impossible for anything short of a god. Alexander hints as much, too. That, coupled with the dream sequence we see in the beginning of the book, is actually making Atom look a lot more like a “Doctor Manhattan” kind of character…and I’ve heard a lot of people relating Atom to that iconic character now. However, I think it’s important to look at the differences between the two characters. Yes, Atom’s abilities are very much resembling that of Manhattan, however their personalities could not be more different. In fact, I think the only similarity lies in that they can both still be in love with a woman; that feeling is not yet beyond them. Atom is still invested in the human race, and wishes to fight for those who cannot fight for themselves. Manhattan found he could no longer relate to the species that was like ants to him, and left (sure, he was manipulated into doing that, but the feeling was the same). That, I think, is what makes them so different, because Atom still cares…and I believe he will continue to care, because that lack of caring is what would turn him into the monster he fears becoming. So great job by Krul there in separating these two characters that, on the surface, seem so similar. I just fear for the readers who will not make the effort to see that, and will drop the book because of it. Finally, Freddie Williams II’s art in this issue is, as it continues to be, fantastic. I love the style and tone, and the very unique panel and layout styles that we see in this book. Atom’s facial expressions continue to dazzle me…for a man who has very little features to express, this is impressive. And the “Krang” creature looks positively imposing and reviling at the same time. I’m very pleased.

Captain Atom #5, the verdict: I suppose this month’s theme of “failure” is still present in this issue, as we see Atom is somewhat helpless to assist in Ranita’s recovery - especially given Alexander isn’t about to let Atom near her for whatever reason. And with every step he takes, it seems, Atom is further and further from the kind of reception that he’d like from the human race. He’s beginning to understand and accept that, but that doesn’t mean he doesn’t care anymore. He still has a human heart, so to speak, and he will fight for us to the end…that I can see, and we all have seen so far. He is willing to use his powers, to his own detriment, in order to save innocent lives. He has that sense of responsibility, thank goodness, but I can’t help but wonder where it comes from. Is he just a good American? Does he feel regret for not being able to perform his air force duty anymore? Or is there a deeper reason?

Captain Atom: J.T. Krul, Freddie Williams II, Rob Leigh, Jose Villarrubia, Stanely “Artgerm” Lau

Holy cow, another knockout issue from the Krul/Williams II team. This book has set out from the start to be something all on its own, something that’s different from everything else on the market. With his experience, and a couple really great creator-owned content, J.T. Krul knows just how to write such a thing. In this issue, we see a darker side of humanity - or, more specifically, in the military - and we explore what it means to be human…and superhuman. Krul deals with big issues in his work, and I love that. He’s not afraid to write something that’s really profound or that will make you really think about the state of things. After a truly horror-story opening, in which there’s a creature that really reminds me of the works of horror legend HP Lovecraft (oh my goodness, another great writer using his first two initials, J.T.!), we get a quick peek at pre-Atom Nathaniel Adam. The pilot, the soldier, the friend, the man. This goes in stark contrast to the next panel, where Captain Atom stands on the same tarmac looking back at his previous life in the Air Force. General Eiling, though, seems to be under the impression that Captain Atom is still part of the Air Force and, therefore, under his command. Their interactions throughout this book are, to say the least, uncomfortable. Eiling here is your typical tough-as-nails, down-to-brass-tacks, hardcore military general who views Captain Atom as a weapon to use against the country’s enemies. And, if Atom does not wish to participate or fulfill Eiling’s needs in such violent ways, then, by golly, Eiling will have him imprisoned on the base to be kept out of the way. Unlucky for Eiling…Captain Atom is a little more powerful, and I say a “little” with a huge grin, than the old general can control. As Captain Atom says, “I don’t think I’m going to let you imprison me today.” Key word here? “Let.” Nothing is above Captain Atom. Nothing can stand in his way. We’ve seen glimpses of it so far in the issues of Captain Atom, but it’s here…faced with the air force base ordered to attack…that we start to see just how all-powerful Captain Atom is. Captain Atom may think himself a man still, a human being, but it’s very clear now…he is not. He is more than any human being could ever be, could ever imagine to be. He is, almost literally, a God now. NOTHING can stop him that we’ve seen so far. Not even a nuclear bomb. Now, one might think that this makes for a very boring, uninteresting book. I mean, how exciting would it be to read about a man who can overcome anything? Has no challenges? Well, that’s where you’re wrong. Krul writes Atom with such unerring humanity and compassion that it makes him one of the most interesting characters of the New 52. I’m actually really looking forward to seeing where Krul takes him, what trials he’ll be going through, and what manner of enemies he’ll face. Surely there must be something out there that will get to him…that will challenge him in the way he can be challenged. If only Max Lord were here. I know, though, that if anyone can do it, Krul can. Freddie Williams II draws this book with such perfection…I really like the style, and I really love the coloring and the way the energy looks. That’s one thing about signing on to a book about a hero who can absorb and control energy…you gotta be good with that abstract stuff. I think Williams has a doctorate in abstract. I loved watching the planes turn into feathers. And seeing Atom break down at a cellular level is always beautiful to look at. I have to say that I love the “big-headed” look we see on Atom this issue. In a few panels, it actually makes him look like a judge with those big-haired wigs…like he’s judging these humans and punishing them. Quite a sight. THEN we get to see a really interesting development with Ranita, Atom’s potential love interest. I have to say…the way her skin looks on that big splash page looks an awful lot like that strange creature roaming through the city. A connection? In this issue, though, I would have to say one thing…that cop in the beginning? The first panel where we see his face makes him look old, like in his fifties or sixties. Then, the rest of the time we see him he looks very young, like in his twenties. Not sure what happened there, or if I’m imagining it. But hell, that’s no discredit to the artist…this book looks great as usual. And look at that cover! Oh, man, I’m a huge fan of Stanley Lau…and I kind of want to see him draw an issue of this book…mainly because I love his silver, more “solid” looking Captain Atom that we see. It reminds me of pre-relaunch Atom.

Captain Atom #4, the verdict: This is still an outstanding series. We’re still dealing with really big issues, even if it doesn’t seem like it at face value. But trust me they’re there. We’re starting to get some serious consequences with this strange shapeshifting creature in the city, and some other consequences more specific to Atom himself are popping up here and there. I’m interested to see the aftermath and any retaliation that comes from the military for what Atom did. Surely Eiling isn’t going to let Atom get away with that, is he? He’s far too proud. Humanity will never be truly defined in such a way that everyone can agree…and it seems Krul’s Captain Atom is intent on not only discovering that definition, but also taking us on quite the ride to find it. I’m sure we’ll see all sorts of neat attempts to define it along the way. In any case, J.T. Krul, DO NOT STOP writing this book. Ever.